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Ars Poeticas

Juliana Spahr

$61.95   $55.56

Hardback

Forthcoming
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English
Wesleyan University Press
15 April 2026
Lyric meditations on writing poetry in a time of ecological crisis and right wing populism_x000D

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During the time of an increasingly powerful alt-right which was also the time when species extinction was ever increasing, Juliana Spahr sat down to read Brecht. She was looking for an answer to Brecht's question about the dark times, about whether there will also be singing during the dark times. The answer that Brecht provides is that yes, that poets will sing of the dark times. In the six ars poeticas that Spahr writes, she sings of the dark times but also of coral, the pop song's possible liberation, and the love of comrades. She writes not only of the rich history of what politics and poetry have done with each other, but what they might yet do together._x000D

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[Sample Poem]_x000D

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from ARS POETICA 1: CORAL

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To write poetry after Castle Bravo._x000D

Then to write poetry after 1500 feet._x000D

After high-quality steel frame buildings_x000D

not completely collapsed, except_x000D

all panels and roofs blown in._x000D

After 2,000 feet._x000D

After reinforced concrete buildings collapsed_x000D

or standing but badly damaged._x000D

After 3,500 feet._x000D

After church buildings completely destroyed._x000D

After brick walls severely cracked._x000D

After 4,400 feet._x000D

After 5,300 feet._x000D

After roof tiles bubbled and melted._x000D

After 6,500 feet._x000D

After mass distortion of large steel buildings._x000D

To write the Cold War and doves._x000D

The Cold War and tapeworms._x000D

The Cold War and sails of ships._x000D

The Cold War and the steel of bridges._x000D

To write poetry after that._x000D

To write in a world with few nutrients,_x000D

one that rocks back and forth._x000D

The same beginning in both the sea and the land._x000D

To write poetry that knows a hard, cup-shaped skeleton._x000D

And then poetry that knows_x000D

the long, stinging tentacles capturing._x000D

Knows the water._x000D

The Atlantic and the Pacific._x000D

The connections between._x000D

The one moving into the other._x000D

To develop poetry in the stomach_x000D

that then exits through the mouth_x000D

which is the anus._x000D

To write poetry in the blue_x000D

that is the absence of green._x000D

Light penetration._x000D

Whorls of tentacles._x000D

The slime earth too._x000D

Hunters and farmers._x000D

Shallow water._x000D

Few nutrients._x000D

High fecundity._x000D

Rapid growth._x000D

Multiarmed morphology and tube feet._x000D

To write tube feet._x000D

To write the exact place._x000D

Seaward slope place._x000D

Sea terrace place._x000D

Algal ridge place._x000D

Coral algal zone place._x000D

Seaward reef flat place._x000D

Islet or interisland reef crest place._x000D

Lagoon reef flat place._x000D

Lagoon terrace place._x000D

Lagoon floor or basin place._x000D

Coral knolls, pinnacle and patch reefs place._x000D

To write poetry after.
By:  
Imprint:   Wesleyan University Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
ISBN:   9780819501523
ISBN 10:   0819501522
Pages:   72
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Forthcoming
ARS POETICA 1: CORAL ARS POETICA 2:SCOTCH BROOM ARS POETICA 3: BLUEBIRD-GHOST ARS POETICA 4: BISON ARS POETICA 5: GOBY ARS POETICA 6: CORAL, AGAIN ARS POETICA 7: ACKNOWLEDGEMENTS

JULIANA SPAHR is a writer and scholar of literature. Her most recent book of poetry is That Winter the Wolf Came (2015).

Reviews for Ars Poeticas

""Juliana Spahr's Ars Poeticas (Wesleyan Univ., Feb.) ask how one might write in troubled times. (Spahr started by reading Brecht.)""--Library Journal ""Throughout Ars Poeticas, Spahr unpacks the steadily worsening threats of climate change and right-wing populism with humility and artistry. We can't help but wonder what poetry could ever add to the efforts to address them, if not just more lines of poetry. With Ars Poeticas, the answer, despite Spahr's reservations, is a tremendous amount.""--Christopher Kondrich, The Washington Post ""Writing the common from the Emersonian tradition has been central to Juliana Spahr's practice of the past few decades. Her work's discipline is processual, labile, and mobile, like Emerson's, and politically lyrical, like Whitman's after him.""--Lauren Berlant, author of On the Inconvenience of Other People ""Spahr's scenes of pastoral enchantment invoke enduring human fantasies of ecological coexistence grounded in mutual care and protection. Yet if these scenes lay the groundwork for the banishments to come, they also speak poignantly to the psychic need for these fantasies.""--Margaret Ronda, author of Remainders: American Poetry at Nature's End


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