Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Antony Beevor's books include Crete - The Battle and the Resistance, which won a Runciman Prize; Paris After the Liberation, 1944-1949 (written with his wife, Artemis Cooper); Stalingrad, which won the Samuel Johnson Prize, the Wolfson Prize for History and the Hawthornden Prize for Literature; Berlin - The Downfall, which received the first Longman -History Today Trustees' Award; and, most recently, The Battle for Spain. His books have appeared in thirty foreign editions and sold nearly four million copies.
Arnhem brings a wealth of new detail to a major World War II disaster . . . Beevor brings to the familiar story a vast amount of research in German, British, American, Polish, and Dutch archives. As usual, his narrative bristles with specifics, including countless observations gleaned from eyewitnesses to every stage of Market Garden. Devoted readers of military history will enjoy the wealth of details -- Steve Donoghue * The Christian Science Monitor * This is destined to be a World War II military history classic . . . Beevor's superb latest offering, in keeping with his established record of excellence, is a must-read * Publishers' Weekly * The compressed time scale and limited strategic scope of Market Garden ideally suit the author's testimony-rich approach . . . Beevor is a highly accomplished architect of what the American literary scholar Samuel Hynes calls 'battlefield gothic': the nightmarish horrors and absurdities of combat -- Daniel Todman * Wall Street Journal * Beevor's superlative new book . . . Arnhem sees him return to Stalingrad form. Forensic is too soft a word to describe the breadth of detail he brings. -- Marco Giannangel * Daily Express, ***** * It is, in short, a chapter of the Second World War that was crying out for the storytelling talents of Sir Antony Beevor, arguably the finest narrative historian of his generation. This is the result - and his many fans will not be disappointed . . . Beevor's particular skill is his ability to unearth new sources that articulate the experience of war felt by ordinary people: soldiers and civilians, men and women. . . Beevor has produced another superb book, tirelessly researched and beautifully written, that will long be the benchmark for this subject. -- Saul David * Daily Telegraph * As Antony Beevor showed in Stalingrad, he is a master of his craft as a military historian. . . We have here a definitive account of one of the most painful episodes of the Second World War. -- Piers Paul Read * The Tablet * Our greatest chronicler of the Second World War . . . The drama of manoeuvre and counter-thrust, the courage and cowardice of soldier and civilian, the follies and vanities of commanders, which are especially rich in this story, are deployed with colour and humanity. His fans will love it. -- Robert Fox * Evening Standard * Another masterwork from the most feted military historian of our time. . . Does the story need to be retold? Beevor is such a good writer, with a gift for clarity and a knack for the telling personal portrait, that the answer is undoubtedly yes. -- Jay Elwes * Prospect Magazine * Complete mastery of both the story and the sources. The beauty is in the details. . . . This gripping book, with its tightly focused timescale and subject matter, shows him once again at his very best. -- Keith Lowe * Literary Review * The analysis he has produced of the disaster is forensic. Aficionados of military history will revel in Beevor's microscopic detail, with every skirmish given its rightful place. . . Beevor's prodigious research has nevertheless unearthed many treasures, particularly his record of the sufferings of Dutch civilians who risked their necks by nursing wounded allied soldiers. -- Giles Milton * Sunday Times * Antony Beevor's magnificent account. . . Beevor's skill lies in his ability to recreate the tumultuous brutality of battle. . . With stark honesty, Beevor describes the terrible panoply. -- Gerard De Groot * The Times * Beevor tells a story that is more human and complex than what he calls the great myth of heroic failure , a tale of vanity, hubris, occasional incompetence, human frailty and remarkable grit. . . In Beevor's hands, Arnhem becomes a study of national character. -- Ben Macintyre * The Times * This absorbing new account of the battle with the eye for telling detail which we have come to expect from Antony Beevor. . . this time, though, he turns his brilliance as a military historian to a subject not just of defeat, but dunderhead stupidity. -- Tony Rennell * Daily Mail *