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Archie vs Predator II (GN)

Alex De Campi Robert Hack



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16 July 2020
Graphic novels; Fiction-related items; Predator; Future Society; Aliens; Sci-Fi Graphic Novel; Monsters Horror; Graphic Novel; TV and Movie Adaptation; Dark Science Fiction
Betty, Veronica and Predator-Archie have been left in the wreckage of their town, all their friends dead. Normally, they'd just go down Memory Lane and get home again where everything's okay, but that's no longer an option. It isn't until they find an undamaged car and drive it down a different road where they can finally return to Riverdale--but their hometown feels different. And it's made even more bizarre when they come face-to-face with a few people they'd never expect- themselves. Only different, newer versions. Little do they know, Predators on Mars are watching them--planning their next attack!
By:   Alex De Campi, Robert Hack
Country of Publication:   United States
Dimensions:   Height: 258mm,  Width: 168mm, 
Weight:   368g
ISBN:   9781645769835
ISBN 10:   1645769836
Series:   Archie vs Predator
Pages:   144
Publication Date:   16 July 2020
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Alex de Campi is well known for her 2005 mini-series Smoke (published by IDW Publishing, art by Igor Kordey), which was nominated for the Eisner Award for Best Limited Series, and her 2006 manga series Kat & Mouse (published by Tokyopop, art by Federica Manfredi). De Campi's work falls outside the superhero genre, with Smoke being a political thriller, and Kat & Mouse detailing the adventures of two mystery-solving high school students (a CSI for tweens ); she has published work for children (e.g. Agent Boo) and for the European market (e.g. her French language sci-noir series Messiah Complex). Robert Hack is a comic book artist and illustrator based in Pennsylvania. He is the cover artist for IDW's Doctor Who series and has worked on Chilling Adventures of Sabrina for Archie Comics. Following the success of that series, Hack also provided the opening credit illustrations for the Netflix adaption.

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