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Anti-trend

Resilient Design and the Art of Sustainable Living

Kristine Hornshoj Harper Theodore Guidotti

$54.99

Paperback

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English
Oro Editions
26 April 2022
Anti-trend investigates resilient, anti-trendy living and design as viable alternatives to the insatiable 'more wants more' mantra of consumerism. The overall purpose with this book is to encourage designers and consumers to take responsibility for overproduction and over-consumption, and to alter unsustainable production and behavioural patterns.

The anti-trendy design-object is designed to be used. It is created to nourish the user aesthetically on a long-term or short-term basis. It is alive in the sense that it is made to develop in accordance with human life — by either being alterable or perishable. The anti-trendy object supports a life worth sustaining. A life that contains wholesome rhythms and edifying challenges and isn’t dependent on consumption for pleasure.

Anti-trendy living is a natural, fulfilling, and sustainable way to live. It may have many different expressions but is characterised by authenticity and meaningfulness. Reduction of consumption and long-term usage of things is a vital part of anti-trendy living — it involves mending and caring and may-be even sharing.

Through an analysis of resilience and sustainability in life in general and in design-objects the themes of the book unfold: intuition and anti-trend research, a life worth sustaining, existentialist despair, raw and resilient aesthetics, sustainable storytelling, legitimisations for designing products in a world with too many things, democratic sustainability, craft innovation, civil disobedience, and collaborative consumption.

By:  
Cover design or artwork by:  
Imprint:   Oro Editions
Country of Publication:   United States
Dimensions:   Height: 228mm,  Width: 177mm, 
Weight:   752g
ISBN:   9781954081055
ISBN 10:   1954081057
Pages:   304
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
FOREWORD INTRODUCTION 1 ANTI-TREND VERSUS TREND To Be or Not to Be Trendy The Immaterialist Analyzing Anti-trendy Tendencies Basic Assumptions The Desires of a Time An Anecdote Concerning the Lowering of Productivity Balancing Between Too Much and Too Little degrowth bad faith the fisherman and the businessman when assumptions collide 2 ANTI-TRENDY INTUITION The Intuitive Compass Right and Wrong Hunches Logical Conclusions Confirmatory Bias Intersubjectivity Immediate Knowledge Getting to the core of things Mindful Reduction Object Analysis Common Ground and Open Horizons The Core of Sustainable Living Disrupting the Familiar Epoché Human Common Ground The Importance of Fiction The Stabile Core The Sublime Moment of Insight Momentary Elimination of the Familiar Transitions Synaesthesia and Sensory Experiences Aisthetikos Open Sensing magic Learning to Navigate Intuitively Intuitive Forecasting ubuntu the guiding principle of inner needs 3 ANTI-TREND AND AUTHENTICITY Living in despair The Aesthete Civil Disobedience, or the Art of Choosing “the Good” Change Must Come from the Individual Oppression restlessness The Importance of Acknowledgement the master and the slave To Will Oneself Free is also to Will Others Free being connected Genuine Freedom the ethicist Irrational versus Pre-rational Consumption The Sustainable Golden Mean encouraging usage discovering aesthetic links Sustainable Storytelling values and beliefs sustainable forms of appeal pathos Time and Value No-pain-no-gain Resilient Living Nourishing Repetitions A Life Worth Sustaining Status Symbols The Emperor and the Painter 4 ANTI-TRENDY EXPERIENCES OF BEAUTY Anti-trendy Perceived Obsolescence Magical Things Disinterested Pleasure Aesthetic Nourishment Resilient Aesthetics The Cathartic Experience robustness relevance Unbearable Lightness Wild and Raw Aesthetics Rewilding the Design-object Adaptability The Beauty of Rhythms The Daily Chorus Continuity Aura 5 THREE ANTI-TRENDY REASONS FOR DESIGNING NEW OBJECTS IN A WORLD WITH WAY TOO MANY THINGS Waste Materials, Deconstruction, and Upcycling Crafty Imperfections Boro and Hacks Disassembly Sustaining and Empowerment The Essence of a Craft Expression the tactile bond tactile literacy Craft Innovation Democratic Sustainability Encouraging Sustainable Living Collaborative Consumption: Swapping, Sharing, and Repairing the characteristics of a shareable object inclusive design repairability, flexibility, and aesthetics Long-lived and Short-lived Objects encouraging variety and celebrating change the butterfly embracing transience facticity and transcendence The Open, Raw Design-object broadness and affordability no person ever steps into the same river twice 6 THE ANTI-TRENDY DESIGN- OBJECT Creating Resilient Designobjects Natural Limitations Alteration Resilience to Changing Needs regrowth Resilience to Anti-trendy Perceived Obsolescence Deterioration Resilience to Fleeting Trends Resilience to Exploitation of Natural Resources permaculture anti-growth closedness versus openness Biblography About the Author

Kristine H. Harper is the author of Aesthetic Sustainability and writer of the blog The Immaterialist. Anti-trend was written in Bali, Indonesia, where she has lived for several years. Harper’s main research areas are resilient design solutions, sustainable living, reduction of consumption through design, permaculture, cultural tendencies and trend research, and the preservation of endangered crafts-traditions. She worked as a lecturer of Sustainable Fashion at the Copenhagen School of Design and Technology for a decade, and continues to teach her theories on design, aesthetics, and sustainability at various international design academies.

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