Anthology for Hearing Form

Musical Analysis With and Without the Score

Matthew Santa (Texas Tech University, USA)

$116

Paperback

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English

Routledge
30 December 2022

Theory of music & musicology; Baroque music (c 1600 to c 1750); Classical music (c 1750 to c 1830); Romantic music (c 1830 to c 1900); Musical scores, lyrics & libretti

Hearing Form: Musical Analysis With and Without the Score, Third Edition is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms.

Hearing Form is supported by an integrated workbook section, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, and audio streaming and downloads of recordings for the pieces in the anthology.

Key updates in the third edition include:

Treatment of phrases and cadences now allows the book to be used by both instructors who teach that all phrases end with cadences, and those teach that some phrases do not New pieces added to the anthology widen the range of composers represented

With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear.

This is the Hearing Form anthology only. For the Hearing Form textbook, see ISBN 978-0-367-70380-6. For the textbook and anthology package, see ISBN 978-0-367-70391-2.

By: Matthew Santa (Texas Tech University USA)
Imprint: Routledge
Country of Publication: United Kingdom
Edition: 3rd edition
Dimensions: Height: 280mm, Width: 210mm,
Weight: 1.100kg
ISBN: 9780367703882
ISBN 10: 0367703882
Pages: 466
Publication Date: 30 December 2022
Audience: College/higher education , Primary
Format: Paperback
Publisher's Status: Active

Matthew Santa is a Professor of Music Theory and Chair of the Music Theory Area at the Texas Tech University School of Music.