Warhol

The Textiles

Geoffrey Rayner, Richard Chamberlain

$61.95

Hardback

In stock
Ready to ship

QTY:

English

Yale University
16 June 2023

Art & Architecture; The Arts: General & Reference

Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York.

The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre.

Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists.

Published in association with the Fashion and Textile Museum

Exhibition Schedule:

Fashion and Textile Museum, London

(March 31–September 10, 2023)

By: Geoffrey Rayner, Richard Chamberlain
Imprint: Yale University
Country of Publication: United States
Dimensions: Height: 270mm, Width: 216mm,
ISBN: 9780300270518
ISBN 10: 0300270518
Pages: 160
Publication Date: 16 June 2023
Audience: General/trade , ELT Advanced
Format: Hardback
Publisher's Status: Active

Geoffrey Rayner and Richard Chamberlain are independent gallery owners, researchers, curators, and authors.

Reviews for Warhol: The Textiles

“A new exhibition at the Fashion and Textile Museum in London, together with a book by the curators, . . . showcase for the first time Warhol’s lost and virtually undocumented designs for dress fabric, which the artist produced in New York during the booming postwar years.”—Helen Barrett, Financial Times