Ancient Greek Music

A New Technical History

Stefan Hagel (Universität Wien, Austria)

$232.95

Hardback

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English

Cambridge University Press
17 December 2009

History of art: ancient & classical art; Music; Theory of music & musicology; Early music (up to c 1000 CE); History; Classical history & classical civilisation; Western philosophy: Ancient, to c 500

This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.

By: Stefan Hagel (Universität Wien Austria)
Imprint: Cambridge University Press
Country of Publication: United Kingdom
Dimensions: Height: 229mm, Width: 157mm, Spine: 30mm
Weight: 840g
ISBN: 9780521517645
ISBN 10: 0521517648
Publication Date: 17 December 2009
Audience: Professional and scholarly , Undergraduate
Format: Hardback
Publisher's Status: Active

Reviews for Ancient Greek Music: A New Technical History

'This is a stunning achievement, and when scholars have had time to absorb its contents the study of Greek music and musical theory will never be the same again ... Its innovative, complex and multi-faceted methodology may be beyond what most others can hope to emulate at this level of sophistication, but once they have seen it in action no one will have any excuse for neglecting its potential, and we shall all have to absorb from it what lessons we can. In short, I believe that Hagel's book will revolutionise the discipline.' Andrew Barker, Professor of Classics, University of Birmingham 'I have no hesitation in pronouncing it a work of the highest originality and importance which future investigators will acknowledge as a landmark in the field.' Martin West, Professor of Greek, University of Oxford