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The American Civil War in the Indian Territory

John D. Spencer Adam Hook (Illustrator)

$29.99

Paperback

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English
Osprey
10 August 2006
Series: Elite
One of the most tragic theaters of Civil War conflict was the Indian Territory (modern Oklahoma), and the borderlands of Kansas, Missouri, Arkansas and Texas. Both the Union and the Confederacy raised Native American units to contest this ground, and tribes were divided against one another and amongst themselves. Federal and Confederate cavalry also struck into the Territory from Kansas and Texas; and the irregular marauders who raided the area such as Kansas Red Legs and Quantrill's Raiders earned notoriety. This fascinating account of the groups which fought in the Territory is richly illustrated with rare early photos, and detailed color reconstructions.
By:  
Illustrated by:   Adam Hook (Illustrator)
Imprint:   Osprey
Country of Publication:   United Kingdom
Volume:   No. 140
Dimensions:   Height: 248mm,  Width: 184mm,  Spine: 7mm
Weight:   214g
ISBN:   9781846030000
ISBN 10:   1846030005
Series:   Elite
Pages:   64
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active
Introductions · The campaigns · Union forces – Organization, unforms, equipment & weapons of: 1st US Cavalry, 1st US Infantry, Jayhawkers (‘redles’ and ‘Pin Indians’), 3rd Wisconsin Cavalry, 2nd, 6th and 9th Kansas Cavalry, Union Indian Brigade (1st–3rd kansas Indian Home Guard), US colored Troops (1st and 2nd Kansas Colored Infantry) · Confederate Forces – Uniforms, native dress, equipment & weapons of: confederate Indian Division (the Five Civilized Tribes, plus Caddo & Osage battalions), Texas units (1st Partisanrangers, Welch’s Cavalry, 3rd, 9th and 29th Cavalry), Quantrill’s and Anderson’s Raiders · The ‘neutral’ tribes: Osage, Caddo, Tonkwana, Wichita, Comanche · Horses, saddlery, wagons · Artillery · Tactics · Conclusions

Reviews for The American Civil War in the Indian Territory

'A brilliant piece of narrative ... Kokoro is exactly what you would ask a novel to be ... its effect is so fresh, so particular to itself ... There is no more exhilarating experience than this sort of discovery ...Soseki manipulates every detail with the same thrilling mastery.' - Spectator 'Sparsely populated, simple but perfect ...it is a melancholy but stoical study in lonliness, guilt and self hatred ... recalls Turgenev both in its economy and perfect symmetry of architecture.' - Sunday Telegraph 'Great sensitivity and insight' - Sunday Times 'A fascinating book, written with the most beautiful lucidity: it is subtle, nostalgic and persuasive.' - Scotsman


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