Our search has the following Google-type functionality:
If you use '+' at the start of a word, that word will be present in the search results.
eg. Harry +Potter
Search results will contain 'Potter'.
If you use '-' at the start of a word, that word will be absent in the search results.
eg. Harry -Potter
Search results will not contain 'Potter'.
If you use 'AND' between 2 words, then both those words will be present in the search results.
eg. Harry AND Potter
Search results will contain both 'Harry' and 'Potter'.
NOTE: AND will only work with single words not phrases.
If you use 'OR' between 2 single words, then either or both of those words will be present in the search results.
eg. 'Harry OR Potter'
Search results will contain just 'Harry', or just 'Potter', or both 'Harry' and 'Potter'.
NOTE: OR will only work with single words not phrases.
If you use 'NOT' before a word, that word will be absent in the search results. (This is the same as using the minus symbol).
eg. 'Harry NOT Potter'
Search results will not contain 'Potter'.
NOTE: NOT will only work with single words not phrases.
If you use double quotation marks around words, those words will be present in that order.
eg. "Harry Potter"
Search results will contain 'Harry Potter', but not 'Potter Harry'.
NOTE: "" cannot be combined with AND, OR & NOT searches.
If you use '*' in a word, it performs a wildcard search, as it signifies any number of characters. (Searches cannot start with a wildcard).
Search results will contain words starting with 'Pot' and ending in 'er', such as 'Potter'.
Katharine Smyth attended Brown University and Oxford University. She has worked for The Paris Review and taught writing at Columbia University, where she received her MFA in nonfiction. She lives in Brooklyn, New York.
In her brilliant debut, Katharine Smyth has done the impossible - invented a new form for the overworked genre of memoir, weaving Virginia Woolf's To the Lighthouse into her personal story as she absorbs the meaning of her beloved father's long illness and early death. Her prose is luxuriant and supple, but never sentimental, and her piercing insights into the dynamics of the nuclear family often profound. -- Michael Scammell, author of Koestler and Solzhenitsyn All the Lives We Ever Lived is a work of vivid intelligence-a sharp love letter to the reading and relationships that shape us, and an ingenious reply to the questions Woolf asked her readers to answer for themselves. -- Nell Stevens, author of Bleaker House and Mrs Gaskell and Me I loved All the Lives We Ever Lived: its structural inventiveness, its fluid and lyrically beautiful writing - some lines made me gasp - and its often astonishing wisdom. But above all, this is a smart, moving portrait of a family in crisis; Smyth weaves literary criticism and biography into nearly every page, but she never strays from the deepest concerns of the human heart. -- Jamie Quatro, author of Fire Sermon and I Want to Show You More This gorgeous, moving book gracefully moves between memoir and literary criticism... Smyth's writing possesses a unique ability to wend its way into your head, traveling into all the darkest corners of your mind, triggering thoughts on love and loss and family and memory you hadn't known were lurking; it's a profound experience, reading this book - one not to be missed. * Nylon * Brilliant... All the Lives is a memoir, yes, but also part biography, part lit crit, part adulation - the story of the emotional turmoil of her father's alcoholism, cancer diagnosis, and eventual death, organized as a paean to a British novel written in the 1920s... Smyth reaffirms the value of novels as existential guideposts.... beautiful. * Vulture * A conceptually ambitious and assured debut... a close reading of that novel from the perspective of an obsessed reader who is both coming-of-age and coming to terms... A work of incisive observation and analysis, [with] exquisite writing. * Kirkus Reviews (Starred Review) * All the Lives We Ever Lived is both a reflection on To the Lighthouse and a lingeringly beautiful elegy in its own right. * Los Angeles Review of Books * This searching memoir pays homage to To the Lighthouse, while recounting the author's fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer... evocative and incisive. * New Yorker * Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life. * TIME * Smyth is an elegant writer and she explores her deep, complicated love for her father in lyrical yet restrained prose. * Literary Review * This is a transcendent book, not a simple meditation on one woman's loss, but a reflection on all of our losses, on loss itself, on how to remember and commemorate our dead. * Washington Post * Beautifully written... a gift to readers drawn to big questions about time, memory, mortality, love and grief... you'd be hard put to find a more moving appreciation of Woolf's work. * Wall Street Journal *