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English
Bloomsbury Publishing USA
14 November 2024
· 2024 Foreword INDIES Book of the Year Awards FINALIST · Shortlisted listed for the 2024 British Science Fiction Association Award (BSFA), Best Short Non-Fiction · Long-listed for the 2024 BSFA Award, Best Non-Fiction · 2024 Locus Recommended Reading List · One of Brittle Paper's 100 Notable African Books of 2024 · One of Open Country Mag's 60 Notable African Books of 2024

In this vibrant and approachable book, award-winning writers of black speculative fiction bring together excerpts from their work and creative reflections on futurisms with original essays.

Features an introduction by Suyi Okungbowa.

Afro-Centered Futurisms in Our Speculative Fiction showcases creative-critical essays that negotiate genre bending and black speculative fiction with writerly practice. As Afrodecendant peoples with lived experience from the continent, award-winning authors use their intrinsic voices in critical conversations on Afrofuturism and Afro-centered futurisms. By engaging with difference, they present a new kind of African study that is an evaluative gaze at African history, African spirituality, Afrosurrealism, ""becoming,"" black radical imagination, cultural identity, decolonizing queerness, myths, linguistic cosmologies, and more.

Contributing authors – Aline-Mwezi Niyonsenga, Cheryl S. Ntumy, Dilman Dila, Eugen Bacon, Nerine Dorman, Nuzo Onoh, Shingai Njeri Kagunda, Stephen Embleton, Suyi Okungbowa, Tobi Ogundiran and Xan van Rooyen – offer boldly hybrid chapters (both creative and scholarly) that interface Afrocentric artefacts and exegesis. Through ethnographic reflections and intense scrutinies of African fiction, these writers contribute open and diverse reflections of Afro-centered futurisms.

The authors in Afro-Centered Futurisms in Our Speculative Fiction feature in major genre and literary awards, including the Bram Stoker, World Fantasy, British Fantasy, Locus, Ignyte, Nommo, Philip K. Dick, Shirley Jackson and Otherwise Awards, among others. They are also intrinsic partners in a vital conversation on the rise of black speculative fiction that explores diversity and social (in)justice, charting poignant stories with black hero/ines who remake their worlds in color zones of their own image.
Edited by:  
Series edited by:   , , ,
Imprint:   Bloomsbury Publishing USA
Country of Publication:   United States
Dimensions:   Height: 228mm,  Width: 152mm,  Spine: 12mm
Weight:   400g
ISBN:   9798765114674
Series:   Black Literary and Cultural Expressions
Pages:   256
Publication Date:  
Audience:   Professional and scholarly ,  College/higher education ,  Undergraduate ,  Primary
Format:   Paperback
Publisher's Status:   Active

Eugen Bacon, MA, MSc, PhD, is an African Australian author of Writing Speculative Fiction: Creative and Critical Approaches (Bloomsbury, 2019) and several novels and fiction collections. She is a 2022 World Fantasy Award finalist, and her Danged Black Thing was a finalist in the 2023 BSFA, Foreword, Aurealis and Australian Shadows Awards, and made the Otherwise Award Honor List. Her recent books include Mage of Fools (novel), Chasing Whispers (collection) and An Earnest Blackness (essays). Visit her website at eugenbacon.com and Twitter feed at @EugenBacon.

Reviews for Afro-Centered Futurisms in Our Speculative Fiction

This comprehensive and in-depth examination of Afrofuturism and Africanturism expands on how the two differ, their underlying power structures, and more ... a must-purchase for university libraries wishing to expand their collections in this growing area of scholarship that goes beyond pop culture definitions. * Booklist * [S]et to revolutionize the landscape of speculative fiction by amplifying African voices and perspectives. ... The anthology promises to be a vibrant collection that not only showcases diverse African perspectives but also serves as an approachable scholarly text for readers new to Afrocentric fiction. Each chapter delves into how these authors interpret and interrogate Afrofuturism through their unique lenses. ... Bacon’s call to action invites readers to engage with this timely project, which promises not only to illuminate African narratives but also to redefine the boundaries of speculative fiction. * The Journal of African Youth Literature (JAY Lit) * The core strength of Afro-Centered Futurisms in Our Speculative Fiction lies in its nuance. Whether it is searching for inclusive expression, worldbuilding that ingrains freedom into its details, both specificity and fluidity, or advocating for autoethnographic practices, the anthology is committed to expansiveness and accuracy. It shows us how to hold seemingly contradictory approaches simultaneously, thus providing effective analytical frameworks for key concerns in both writing and researching African speculative fiction. * Amirah Muhammad, BSFA Vector * Afro-Centered Futurisms in Our Speculative Fiction offers a vital landscape for readers and scholars alike to engage with Afro-centered narratives more deeply. The book ultimately underscores the importance of fostering a critical awareness of Black speculative fiction within Afrocentric futurisms. Bacon’s editorial vision paves the way for an enriched understanding of African experiences, encouraging a dialogue that expands beyond traditional narratives and invites diverse perspectives into the literary fold. * Arts Hub * Afro-Centered Futurisms in Our Speculative Fiction is an unusually fascinating book that explores and interrogates Afro-centered futurism’s impact on the diaspora. With its chapter-based arrangement, the book draws on ideas involving popular culture, politics, society, gender, sexuality, spirituality, and African history...The book brings together different voices in a new way that generates ideas, educates, and reinforces the need to focus on interdisciplinary interests in the arts and critical debates on Afro-centered speculative fiction, African history, and popular culture from the African diaspora. Overall, this project offers the kind of energy and diversity in themes and topics that one expects from freethinking academics, writers, and artists. -- Dike Okoro, Newberry Library * World Literature Today * This remarkable collection is a treasure of knowledge as each essay explores speculative authors, from the African continent, and their relationship to futurism through their diverse connection to their country (there are 54 countries on the continent) and the impact of language, economy, spirituality, and gender on their writing. This incredible book is just the beginning of delving into the author’s ‘self-as-research,’ as stated in the introduction. I’m excited to re-read their essay in conjunction with their speculative writing. * Linda D. Addison, HWA Lifetime Achievement Award recipient * With its Janus-like gaze, Afro-Centered Futurisms in Our Speculative Fiction celebrates the artistic and cultural forces flourishing worldwide, bringing together an unprecedented cross-disciplinary selection of sophisticated essays by acclaimed Afrodescendants intent on repurposing storytelling. Momentous and quirky. * Dominique Hecq, Swinburne University of Technology, Australia, and award-winning author * This collection of vibrant, insightful, often witty chapters is a deep-dive exploration of African culture/s, histories, futures. It makes a strong case against the notion of a homogeneous ‘Africa,' while celebrating diversity, and laying out pathways for co-existence, for collective understandings and values. The writers take their readers into dystopia and cosmologies, inclusive futurisms and imagined realities, while pointing to the critical importance of nomination, identity, and world-making through story. From the south to the north, from history to the future, in philosophical accounts and excerpts from literary works, it offers a dense and brilliantly illuminated report on Africa: on its rich complexity, and its astounding wealth of image, narrative, and philosophies. * Jen Webb, Distinguished Professor of Creative Practice, University of Canberra, Australia * There are many fine scholars doing wonderful work in African futurism or Afro-centered futurism across the world. The book brings together different voices in a new way that generates ideas, educates, and reinforces the need to focus on interdisciplinary interests in the arts and critical debates on Afro-centered speculative fiction, African history, and popular culture from the African diaspora. Overall, this project offers the kind of energy and diversity in themes and topics that one expects from freethinking academics, writers, and artists. * World Literature Today *


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