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Affinities

Brian Dillon

$32.99

Paperback

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English
Fitzcarraldo Editions
16 May 2023
In Affinities,Brian Dillon explores images and artists he is drawn to or loves, and tries to analyse the attraction.

What do we mean when we claim affinity with an object or picture, or say that affinities exist (not only formal) between such things? What do feelings of affinity imply about individual or collective experience of art, and of the world? The word ffinity'used to mean an attraction of opposites, between chemical elements. In his Effective Affinities, Goethe used the idea to think about the orbits and collisions of love. In the poetry and essays of Baudelaire, the writings of Walter Benjamin and Aby Warburg, the art of Tacita Dean and Moyra Davey, a partly buried history of affinity can be found.

Affinitiesis a critcal and personal study of a sensation that is not exactly taste, desire, or allyship, but has aspects of all. Approaching this subject via discrete examples, this book is first of all about images - mostly photographs - that have stayed with the author over many years, or grown in significance during months of pandemic isolation, when the visual field had shrunk.

Some of these are historical works by artists such as Julia Margaret Cameron, Dora Maar, Claude Cahun, Samuel Beckett and Andy Warhol. Others are more or less obscure scientific or vernacular images: sea creatures, migraine auras, astronomical illustrations derived from dreams. Also family photographs, film skills, records of atomic ruin. And contemporary art by Rink Kawauchi, Susan Hiller and John Stezaker.

Written as a series of linked essays, interwoven with a reflection on affinity itself, Affinitiescompletes a trilogy, with Essayismand Suppose a Sentence, about the intimate and abstract pleasures of reading and looking.

By:  
Imprint:   Fitzcarraldo Editions
Country of Publication:   United Kingdom
Dimensions:   Height: 196mm,  Width: 127mm, 
ISBN:   9781804270165
ISBN 10:   1804270164
Pages:   320
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Brian Dillon was born in Dublin in 1969. His books include Suppose a Sentence, Essayism, The Great Explosion(shortlisted for the Ondaatje Prize), Objects in This Mirror: Essays, I Am Sitting in a Room, Sanctuary, Tormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize) and In the Dark Room,which won the Irish Book Award for non-fiction. His writing has appeared in the New Yorker, Guardian, New York Times, London Review of Books, Times Literary Supplement, Bookforum, frieze, andArtforum. He is UK editor of Cabinetmagazine, and teaches Creative Writing at Queen Mary, University of London.

Reviews for Affinities

'Brian Dillon is always invigoratingly brilliant. His sentences, his stylistic innovations, the range and potency of his intellectual adventures; he is a true master of the literary arts and a writer I would never hesitate to read, whatever his subject.' - Max Porter, author of Shy 'In Affinities, Brian Dillon has woven a sparking electric web of aesthetic attention, an astonishingly deft and slantwise autobiography through the images of others. With this third panel in his brilliant triptych - with Essayism and Suppose a Sentence - Dillon has made himself a quiet apostle of close looking, drawing such intimate connections between such disparate things that he reveals marvel after marvel, and miraculously passes his affinities along to the reader. His project, it seems to me, is a nearly holy one, borne of deep generosity and love for the world.' - Lauren Groff, author of Matrix 'Brian Dillon's essays match discernment and critical thinking with a sense of pleasure in finding a work of art that speaks to him and lures him into contemplating its mystery and intricacy. His writing is exact and calm; rather than explain he explores, playing what is tentative against what is certain.' - Colm Toibin, author of The Magician 'Dillon is a mournful, witty and original writer.' - Parul Sehgal, New York Times 'Dillon is a literary flaneur in the tradition of Baudelaire and Walter Benjamin.' - John Banville, Irish Times 'Brian Dillon is one of the true treasures of contemporary literature - a critic and essayist of unmatched style, sensitivity and purpose.' - Mark O'Connell, author of Notes from an Apocalypse


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