Access and Control in Digital Humanities explores a range of important questions about who controls data, who is permitted to reproduce or manipulate data, and what sorts of challenges digital humanists face in making their work accessible and useful.
Contributors to this volume present case studies and theoretical approaches from their experience with applications for digital technology in classrooms, museums, archives, in the field and with the general public. Offering potential answers to the issues of access and control from a variety of perspectives, the volume acknowledges that access is subject to competing interests of a variety of stakeholders. Museums, universities, archives, and some communities all place claims on how data can or cannot be shared through digital initiatives and, given the collaborative nature of most digital humanities projects, those in the field need to be cognizant of the various and often competing interests and rights that shape the nature of access and how it is controlled.
Access and Control in Digital Humanities will be of interest to researchers, academics and graduate students working in a variety of fields, including digital humanities, library and information science, history, museum and heritage studies, conservation, English literature, geography and legal studies.
Edited by:
Shane Hawkins
Imprint: Routledge
Country of Publication: United Kingdom
Dimensions:
Height: 234mm,
Width: 156mm,
Weight: 453g
ISBN: 9780367201012
ISBN 10: 0367201011
Series: Digital Research in the Arts and Humanities
Pages: 300
Publication Date: 14 May 2021
Audience:
College/higher education
,
Primary
Format: Hardback
Publisher's Status: Active
1. Introduction: access and control in digital humanities Shane Hawkins Part I. Access, Control, and DH in Academia 2. From Stone to Screen: the built-in obsolescence of digitization Kaitlyn Solberg, Lisa Tweten, and Chelsea A. M. Gardner 3. Digital humanities and a new research culture: between promoting and practicing open research data Urszula Pawlicka-Deger Part II. Networks of Access and Control 4. Computational ontologies for accessing, controlling, and disseminating knowledge in the cultural heritage sector: a case study John Roberto Rodríguez 5. Digital approaches to the ‘Big Ancient Mediterranean’ Ryan Horne 6. Questioning authority: creation, use, and distribution of linked data in digital humanities Lindsay Kistler Mattock & Anu Thapa Part III. Access, Control and Immersive Media 7. Visuality as historical experience: immersive multi-directional narrative in the MIT Visualizing Cultures Project Ellen Sebring 8. Architectonic connections: virtual reconstruction to disseminate understanding of South and Southeast Asian temples David Beynon and Sambit Datta 9. Postscript on the Ctrl+Alt society: protocols for locative media Brian Greenspan Part IV. Access, Control, and Indigenous Knowledge 10. Cross-cultural collaborations in the digital world: a case study from the Great Lakes Research Alliance’s Knowledge Sharing Database Heidi Bohaker, Lisa Truong, and Kate Higginson 11. Issues and intersections of Indigenous knowledge protection and copyright for DH Kim Paula Nayyer Part V. Access, Control, and the Law 12. The open access spectrum: redefining the access discourse for the electronic editions of literary works Setsuko Yokoyama 13. Ownership, copyright, and the ethics of the unpublished Emily C. Friedman 14. Digital humanities research under United States and European copyright laws: evolving frameworks Erik Ketzan and Paweł Kamocki 15. Trust is good, control is better? The GDPR and control over personal data in digital humanities research Paweł Kamocki
Shane Hawkins is the Director of the College of the Humanities and Associate Professor in Greek and Roman Studies at Carleton University, in Ottawa, Ontario
