Brian Eno, musician, producer, visual artist and activist, first came to international prominence in the early seventies as a founding member of British band Roxy Music. His visionary production includes albums with Talking Heads, Devo, U2, Laurie Anderson and Coldplay, while his long list of collaborations include recordings with David Bowie, David Byrne, Grace Jones, Karl Hyde and James Blake, among many others. His visual experiments with light and video continue to parallel his musical career, with exhibitions all over the globe. To date he has released over thirty albums of his own music and exhibited extensively, as far afield as the Venice Biennale and the sails of the Sydney Opera House. He is a founding member of the Long Now Foundation, a trustee of ClientEarth and patron of Videre est Credere. His latest album with brother Roger, Mixing Colours was released on Deutsche Grammophon earlier this year.
A cranium tour of one of the most creative minds of our age. -- Wired Brian Eno's dual role in experimental and popular music is without precedent, and his influence on the music scene as a whole is difficult to overstate. -- Pitchfork Behind Eno stand John Cage, Marcel Duchamp, and Erik Satie. -- New Yorker As singular and as entertaining as anything the pop polymath has produced. -- Observer, The 50 Greatest Music Books Ever A Year with Swollen Appendices is by turns fascinating, engaging and wonderfully mundane. Our world has changed in profound ways, but Eno's ideas are remarkably durable, his perspectives still feel fresh with possibility. This writing hasn't lost any of its power to entertain, persuade and inspire. -- The Wire At the end of 1994, the ambient giant began to keep a diary, writing about his collaborations with artists like David Bowie, U2, James and Jah Wobble. He also wrote about the role of generative and ambient music, plus observations on art, the role of artists and the world around him...The 25th anniversary hardcover has been redesigned in the size of the original diary. It features two ribbons, pink paper delineating the appendices (matching the original edition) and a two-tone paper-over-board cover, which pays homage to the original design. -- Ryan Middleton, Magnetic Magazine