A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950

Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg , Tania Ørum

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English

Brill
25 May 2022

Art & design styles: c 1900 to c 1960; Art Forms; Literary studies: from c 1900 -; Cultural studies

Series: A Cultural History of the Avant-Garde in the Nordic Countries

A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.

Volume editor: Benedikt Hjartarson, Andrea Kollnitz, Per Stounbjerg, Tania Ørum
Imprint: Brill
Volume: 36
Dimensions: Height: 235mm, Width: 155mm,
Weight: 1.649kg
ISBN: 9789004520110
ISBN 10: 9004520112
Series: A Cultural History of the Avant-Garde in the Nordic Countries
Pages: 992
Publication Date: 25 May 2022
Audience: Professional and scholarly , Undergraduate
Format: Paperback
Publisher's Status: Active

Benedikt Hjartarson is professor of comparative literature and cultural studies at the University of Iceland. He has written and edited a number of books and articles on the European avant-garde, published in Icelandic, German, Danish, English and Swedish. Andrea Kollnitz is associate professor of art history at Stockholm University. She has published a monograph on nationalist agendas in Swedish art criticism 1908-34 and edited a collection on Fashion and Modernism as well as published research on fashion caricatures, nationalist fashion and art discourses, the avant-garde artist’s role and artistic self-fashioning. Per Stounbjerg is dr.phil. in Scandinavian literature and head of the School of Communication and Culture at Aarhus University. He has published on August Strindberg, genre studies, avant-garde, modernism and the aesthetics of the ugly. Tania Ørum is professor emerita at the University of Copenhagen. She has published monographs and articles on modernism and avant-garde and is General editor of the volumes of A Cultural History of the Avant-Garde in the Nordic Countries, a subseries of Avant-Garde Critical Studies (Brill | Rodopi)