Painting beyond Itself – The Medium in the Post–Medium Condition

By:   Isabelle Graw, Ewa Lajer–burcharth, David Joselit, Jutta Koether, Jacqueline Lichtenstein
Imprint:   Sternberg Press
Country of Publication:   Germany
Dimensions:   Height: 191mm,  Width: 121mm,  Spine: 15mm
Weight:   666g
ISBN:   9783956790072
ISBN 10:   3956790073
Pages:   292
Publication Date:   01 April 2016
Audience:   Professional and scholarly ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule. David Joselit is Professor of Art, Film and Visual Studies at Harvard University. He is the author of Infinite Regress- Marcel Duchamp 1910-1941, Feedback- Television against Democracy (both published by the MIT Press), American Art Since 1945, and After Art. Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule. Isabelle Graw (Frankfurt am Main/Berlin) is Professor of Art Theory and Art History at the Staatliche Hochschule f r bildende K nste-St delschule, Frankfurt am Main. In 1990 Graw and Stefan Germer founded the quarterly magazine Texte zur Kunst. In 2003, Graw and Daniel Birnbaum founded the Institut f r Kunstkritik at the St delschule. Carol Armstrong is Doris Stevens Professor of Women's Studies in the Department of Art and Archaeology at Princeton University. She is the author of Scenes in a Library- Reading the Photograph in the Book, 1843-1875 (MIT Press, 1998). Sabeth Buchmann, an art historian and critic, is Professor of Modern and Postmodern Art and Head of the Institute for Art Theory and Cultural Studies at the Academy of Fine Arts Vienna. Benjamin H. D. Buchloh is Andrew W. Mellon Professor of Modern Art in the Department of History of Art and Architecture at Harvard University and an editor of October magazine. He is the author of Neo-Avantgarde and Culture Industry- Essays on European and American Art from 1955 to 1975 (MIT Press) and other books.