Born in idyllic and peaceful Switzerland, Tobias Aeschbacher grew up loving gangster films, Cormac McCarthy, Haruki Murakami and comic books. After training as a graphic designer, Tobias settled in the bilingual Swiss city of Biel. He is co-editor of the zine Kosmos Vertikal. His graphic novel, In the End We All Die, won awards in Germany and Switzerland, including the prestigious Max und Moritz award for best debut. Andrew Shieldswas born in Michigan and grew up all over the US and in England. He received a BA in English from Stanford University in 1987 and a PhD in Comparative Literature from the University of Pennsylvania in 1995. He is a translator from German and French into English, as well as a poet, a guitarist, a mandolinist, and a songwriter for his band Human Shields. He lives in Basel with his wife and their three children.
""Even better than a Tarantino film, this graphic novel combines black humor, absurd situations and a touch of self-reflection into a larger whole. Witty, ingenious, profound and full of vigor for a life before death."" - Jürgen Weber, rezensionen.ch ""The humor of the dialogue blends absurdity and despair in a way that manages to hit the nail on the head"" - Lisbeth Koutchoumoff Arman, le temps ""A drop of pulpy fiction, a zest of absurdist humor and a cast of grotesque characters. Mix it all together [...] and you've got a deliciously macabre debut."" - Bruce Rennes, les amis de la BD ""Cynical, ironic and lively, this debut graphic novel is a real success!"" - Mathilde Ocante, Zoo le mag ""His debut [...] works wonderfully, especially as a comic, thanks to its great characters, tricky plot, Oscar-worthy dialog and running gags, and snappy drawings."" - Comic Salon Erlangen ""Striking and brutal: an absurd thriller puzzle with an engaging style."" - Florian Schwebel, comicgate.de ""Borrowing his non-linear narrative from the likes of ""Pulp Fiction"", Aeschbacher spent six long years working on this relentless tragicomic odyssey. We applaud this diabolical and stunning tryst."" - LaTribuneDeGeneve