Martin Cullen began his career as a journalist and a psychoanalytical therapist, and is now a writer and estanciero. Born in Buenos Aires, he writes in both Spanish and English, and lives between his home in the city, his estancia, and London. He is married with two sons. His is currently writing his next book, Mendigos a Caballo (Beggars on Horseback).
I was reminded of Proust's Combray when reading Martin Cullen's moving and detailed evocation of a childhood spent among the sophisticated environs of Calle Juncas in central Buenos Aires and on several family estancias during the early 1950s. [...] Written in prose that is often poetic [...] The Estancia is a valuable record of a society that has now disappeared. -- Euan Cameron * Catholic Herald * As a distillation of the complex puchero stew that is Argentinian identity - culturally in thrall to Europe long after independence from Spain - The Estancia is unbeatable ... a superb meditation on memory: the past is another country ... this is an immersive, beautifully crafted novel. * The Lady * Deliciously unsettling ... the voice, whether novelist's or autobiographer's, is unforgettable. -- Jonathan Keates * The Literary Review * Estancia is a marvel of poise and the high classical style... the writing has an incisive photographic clarity...the boy Cullen is a Tintin-like anomaly in his 1920s knickerbockers and beret...taken to France by his great-aunt Tia Tiode, a character out of Graham Greene's Travels with My Aunt. -- Ian Thomson * The Tablet * use of language: rich, flexible and incisive ... Something new on every page ... in the sense of a turn of phrase, an image, an emotion cut at an unexpected angle ... a strange work of art, Freudian rococo, opera in the jungle ... a book like bottled smoke. -- Duncan Fallowell