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Deb Olin Unferth is the author of four books, including Wait Till You See Me Dance and Revolution, a finalist for the National Book Critics Circle Award. Her fiction has appeared in Harper's Magazine, The Paris Review, Granta, and Tin House. She lives in Austin, Texas. Elizabeth Haidle is a freelance artist based in Portland, Oregon. She is the creative director and regular contributor at Illustoria magazine, while writing and illustrating a nonfiction graphic novel series and raising her teenage son.
Praise for I, Parrot by Deb Olin Unferth and Elizabeth Haidle [Unferth's] language is sly and bitterly funny, matched in mood by Haidle's monochromatic, inkwash-style artwork, which plays up the story's whimsy as well as its sadness. -The New York Times Book Review I don't know anything about birds, but I do know good comics, and this is one. -Vulture Unferth dexterously juggles pathos and humor in her debut graphic novel, an intimate and contemplative reflection on the slow revelatory dawning of what it means to care for something-or someone. . . . Unexpectedly funny, sad, scary, affirming and totally engrossing. -Publishers Weekly (starred review) [A] winningly surreal collaboration. . . . Unferth impresses with strong characterizations and a tightrope tragicomic tone. Haidle's spare, cartoony, Mary Blair-ish illustrations, impressively rendered in grayscale-especially the 20 different species of parrots and the characters' permanent, 'rosy' blush-and her retro-futuristic, all-caps style perfectly complement the colorful, off-kilter tale of a woman redirecting the sails of her story. -Booklist Haidle brings more than just design expertise. Her simple, crisp grayscale images set the tone for the story: a dreamlike softness evoked by the mid-20th century modernist cartoon figures, overlaid with the textural complexity of watercolor, but stripped of color. -Multiversity Comics A deftly observed, sad, and ultimately hopeful fable about civilization, wildness, and love. -Molly Crabapple, author of Drawing Blood I, Parrot beautifully renders the weird in-betweenness of life. It illuminates the messy: custody battles, insecticide hazards, the hairpin paths of love. -Leanne Shapton, author of Swimming Studies A lovingly crafted world of gray, at once complex and weightless. -Roman Muradov, author of Lost and Found
