Lesley Chow is an Australian writer on music and film. She is associate editor of the journal Bright Lights and has published widely over the past eighteen years, in Salon, Times Literary Supplement, The Quietus, The Age, Pop Matters, and CNN. She has appeared on numerous film juries including Venice and Berlin, and was President of the Critics' Jury at the Toronto International Film Festival in 2018.
Lesley Chow is the best and rarest kind of critic--one who loves to be surprised, and can always surprise you in turn... The emphasis is firmly on aesthetic pleasure, and the book itself is a unique pleasure to read: joyful, witty, knowledgeable, intensely observant, and indifferent to received ideas. - Jake Wilson, arts critic for The Age and author of Mad Dog Morgan By embracing pop's sonic artifice, its vocal textures and its wordless moments of rapture - too often ignored by other critics - Lesley Chow constructs a new version of pop history. Her assemblage of pop's 'hybrid girls' and wayward women is a sly, original analysis. - Anwen Crawford, music writer for The Monthly and author of Hole: Live Through This