A Million Years of Music

This is interdisciplinarity at the deepest level, not merely a surface-level engagement with passing trends in other fields. … A Million Years of Music is a crucial work which provides a fresh perspective on an old problem. It is, in many ways, the ultimate rebuttal of Steven Pinker's glib dismissal of music as a disposable pleasure stimulus. … Written with passion and great erudition, it demonstrates music's role as an essential part of human identity, rivaling speech. —MAKE Literary Magazine The past two decades have…seen the development of a “biocultural” hypothesis for the origins and nature of the musical mind that looks beyond the traditional nature-culture dichotomy. … Here the origin of music is not understood within a strict adaptationist framework. Rather, it is explained as an emergent phenomenon involving cycles of (embodied) interactivity with the social and material environment. … Tomlinson's … approach … represents the current state of the art in the field. —Frontiers in Neuroscience …written in dialogue with evolutionary biology, cognitive science, palaeoarchaeology, and palaeoanthropology, [this] book is hardly a work of musicology at all, and many of its central claims will demand careful consideration from a wide and diverse academic community. Nevertheless, A Million Years of Music may be the most important contribution to musicology in its short history: in his historical purview and methodological blend of hard science and historiography, Tomlinson sketches a map of the future terrain which every musicologist will one day be obliged to explore. —Journal of the Royal Musical Association Expertly interweaving humanities and science, Tomlinson demonstrates how the answers to philosophical questions surrounding modern music can be discovered in their ancient origins. —Nature