Charlotte Grimshaw is the author of three critically acclaimed novels, Provocation, Guilt and Foreign City. In 2000 she was awarded the Buddle Findlay Sargeson Fellowship. She has been a double finalist and prizewinner in the Sunday Star-Times short story competition, and in 2006 she won the BNZ Katherine Mansfield Award. In 2007 she won a Book Council Six Pack prize. Her story collection Opportunity was short listed for the 2007 Frank O'Connor International Prize, and, in 2008, Opportunity won New Zealand's premier Montana award for fiction, along with the Montana medal. She was also the 2008 Montana Book Reviewer of the year. Her story collection, Singularity was short listed for the 2009 Frank O'Connor International Prize and the South East Asia and Pacific section of the Commonwealth Writers' Prize. She writes a monthly column in Metro magazine, for which she won a 2009 Qantas Media Award. She lives in Auckland.
Memories of past sorrow and misspent passion come unbidden to an elderly Holocaust survivor in this elegant novel, when a woman bearing a resemblance to an old love joins the staff at a retirement home located on Manhattan's Upper West Side. While most of the residents of the Emma Lazarus home are busy squabbling over the casting and the direction of Hamlet, Otto Korner, challenging ghosts of his own, feels appropriately cast as the Gravedigger. A published poet at 19, and unable to serve in the army, he is sent to Zurich by his family at the advent of World War I. There he meets a thoughtful, bookish Lenin, an unmannered oaf named James Joyce, and is an unhappy midwife at Tristan Tzara's birthing of the Dadaist movement. It is there, too, that he becomes obsessed with the high-spirited, scornful Magda Damrosch, whose likeness he sees 60 years later in the dull, empty-headed physical therapist from Cleveland. His placid, unreflective life at the retirement home, already shaken, is further disturbed when a prized letter from the poet Rilke, praising his precocious talent, is stolen. Someone begins sending clues in verse - charades, he calls them - and they tax both his literary and personal memory. Islet moves smoothly from war to war and to the present, with Korner moving among memories of his youth; of his two wives ( both...were cremated, only one of them by her own request ); of his emigration in 1947 to New York, where he found his sister hanged in her kitchen ( I stuffed Lola's memory high on the closet shelf with the rest of my past and closed the door tightly ); and of his quiet, uneventful years at the New York Pubic Library where, ironically, he was placed in charge of materials published in Germany between 1929 and 1945. A delicious, evocative, gentle debut, written in prose to be savored and cherished. (Kirkus Reviews)