Raphael Cormack is an award-winning editor, translator and writer. The author of the widely acclaimed Midnight in Cairo, he is Assistant Professor of Modern Languages at Durham University.
'Raphael Cormack’s enthralling Holy Men of the Electromagnetic Age makes clear the connections not merely between science and magic but also, more ambitiously, between science, magic and celebrity.' -- <b><i>The Wall Street Journal</i></b> 'Fascinating ... Today, ""holy men"" have mostly been forgotten ... Cormack excavates them from obscurity, stitching together from their misadventures a kind of counterhistory of the era.' * <b><I>TLS</I></b> * 'Cormack presents a fascinating study of the way mythical status can conjured out of the human desire for meaning in times of darkness.' * <b><I>BBC History Magazine</I></b> * '[An] impressively researched book. … Cormack’s overall take on the seductive power of unreason in troubled times … is … sound.' -- <b><i>Literary Review</i></b> 'Raphael Cormack revisits the early-20th-century golden age of spiritualism to uncover the stories of ... Arab mystics who combined science and esoteric faith to explain a world in flux.' * <b><I>Publishers Weekly</I></b> * 'A fascinating, detail-laden history of a time when occultism ran rampant.' * <b><I>Kirkus</I></b> * 'Extraordinary. A delightfully engaging and highly original chronicle of our willingness to believe six impossible things before breakfast.' -- <b>Alberto Manguel, author of <I>A History of Reading</I></b> 'Raphael Cormack is a brilliant archival sleuth and a riveting storyteller. In lives full of violent glamour, mystical illusions, and often hilarious twists, set against the inhumanity of the two world wars, Cormack's madcap prophets reveal how modern politics and the occult are in fact propelled by the same question: do we dare to imagine another world?' -- <b>Anna Della Subin, author of <I>Accidental Gods: On Men Unwittingly Turned Divine</I></b> 'From Athens and Cairo to Montmartre and Manhattan, Raphael Cormack reconstructs the careers of four occult impresarios through interlinked circles of artists, immigrants, politicians, and theatergoers. Rarely is cultural history presented with such mesmerizing legerdemain.' -- <b>Nile Green, author of <I>Empire's Son, Empire's Orphan: The Fantastical Lives of Ikbal and Idries Shah</I></b>