Nafissa Thompson-Spires is a prize-winning short story writer. She earned a PhD in English from Vanderbilt University and a Master of Fine Arts in Creative Writing from the University of Illinois. Her work has appeared or is forthcoming in The White Review, the Los Angeles Review of Books Quarterly, StoryQuarterly, Lunch Ticket and The Feminist Wire, among other publications. She is a 2016 participant of the Callaloo Creative Writing Workshop, a 2017 Tin House workshopee, and a 2017 Sewanee Writers Conference Stanley Elkin Scholar. Born in San Diego, California, she now lives in Illinois with her husband where she is a Visiting Assistant Professor of Creative Writing and African American studies at the University of Illinois.
The kind of collection that makes you shake your head in delight. Her voice is fresh-laundry-clean: I have not read anything like it in years. The prose is cunning. It appears simple, but the overall effect is powerful. Her stories feel simultaneously like the poke of a stick and a comforting balm; a smack followed by a kiss. I'm so into it. -- Bim Adewunmi * Guardian * [Thompson-Spires] writes satire of the Paul Beatty school, her humour as daring as it is disarming. This is a firecracker of a book, sizzling with politics, but it's also a triumph of storytelling: intelligent, acerbic and ingenious -- Lucy Scholes * Financial Times * Every so often, a voice comes along that knocks you sideways; this debut collection of short stories was one such moment. From the first page there's an electricity and freshness to the voice that grabbed hold of me and wouldn't let me go -- Andrew McMillan * Observer * Witty, mischievous... These coolly ironic and grimly funny tales brim with snap and verve, and this is a debut collection of daring and aplomb -- Colin Grant * The Guardian * Vivid, fast, funny, way-smart, and verbally inventive, these stories by the vastly talented Thompson-Spires create a compelling surface tension made of equal parts scepticism towards human nature and intense fondness of it. Located on the big questions, they are full of heart -- George Saunders