SALE ON NOW! PROMOTIONS
Born in Cornwall, son of an Estonian wartime refugee, Philip Gross has lived in Plymouth, Bristol and South Wales, where he was Professor of Creative Writing at Glamorgan University (USW). His 28th book of poetry, The Shores of Vaikus, is published by Bloodaxe in 2025. His previous collection, The Thirteenth Angel (2023), was a Poetry Book Society Recommendation, and was shortlisted for the T.S. Eliot Prize 2022. That followed eleven previous books with Bloodaxe, including Between the Islands(2020), A Bright Acoustic(2017),Love Songs of Carbon(2015), winner of the Roland Mathias Poetry Award and a Poetry Book Society Recommendation;Deep Field(2011), a Poetry Book Society Recommendation;The Water Table(2009), winner of the T.S. Eliot Prize 2009; andChanges of Address: Poems 1980-1998(2001), his selection from earlier books includingThe Ice Factory, Cat's Whisker, The Son of the Duke of Nowhere, I.D.andThe Wasting Game. His collaboration with photographer Simon Denison, I Spy Pinhole Eye(Cinnamon Press, 2009), won the Wales Book of the Year Award 2010.
Paradoxically, The Shores of Vaikus is both a timely and a timeless work. The past is curiously, hauntingly, alive along the shorelines and within the forests of present-day Estonia, the locus of Philip Gross’s latest book. So much is liminal, evanescent […] and the shadow-stories that impel these poems seem all the more chilling at a point in history when old patterns of empire-building are threatening to repeat themselves. […] His tone is modest but his intelligence is fierce. In this his 28th book he’s still seeking to do what the real poets do—to translate the world, and the significance that rests in its silences. -- Stuart Henson * London Grip * The Shores of Vaikus is a rich and rewarding collection, thanks largely to the adept deployment of language in ways that provide a welcome aesthetic jolt, but it is also a profound reflection on belonging – not just only to our primary landscape, but to the earth as a whole. [...] It’s a pleasure to read a volume of poetry that is so alert to the multifarious contingencies of history. -- Tom Phillips * The High Window * Philip Gross’s latest collection, his twenty-eighth book, begins and ends with meditations on, among other things, silence. Between these two sections, entitled ‘Translating Silence’, we meet the prose-poetry of Evi and The Devil. […] Alongside his extraordinary yet historically based imaginative quest, he gives us glimpses which allow the reader to centre. For sharing a lifetime of seeing and feeling, and for honing and polishing the lens of his vision/craft, we can be deeply grateful. -- Dana Littlepage Smith * The Friend, on The Shores of Vaikus * Philip Gross’s The Thirteenth Angel is a book with its finger firmly on the pulse of the sounds of the contemporary world... Gross uses language which is precise and sharp one moment and then veers into a familiar colloquial style the next, which makes him intensely readable. -- Mona Arshi * PBS Selector, Poetry Book Society Bulletin, Winter 2022 * Mastery is what you would wish for in a 27th collection and it is what you find in Philip Gross’s The Thirteenth Angel, shortlisted for the T.S. Eliot Prize... His easy, fluent ways with form contrast with his conflicted subject matter. He has a questing eye and now, more than ever, writes to make sense of the world in its inexplicable multiplicity. -- Kate Kellaway * The Observer (Poetry book of the month) * The Thirteenth Angel, like all Philip Gross’s work, fuses the physical and the metaphysical, and lights the profoundest subject matter with shafts of playful humour. He is a poet with exceptional gifts of observation, whether it’s a panoramic view of the earth and its inhabitants or ‘the mutterings of quiet circumstance / under the threshold of attention'. -- Jean Sprackland * chair of judges, T.S. Eliot Prize 2022 *
