SALE ON NOW! PROMOTIONS

Close Notification

Your cart does not contain any items

$37.99

Paperback

Not in-store but you can order this
How long will it take?

QTY:

Hebrew
NYRB Classics
07 March 2023
A luminous, inventive, and deeply personal exploration of living in the liminal space between Jewish and Arab, ancient and modern, by a gifted Palestinian writer.

A luminous, inventive, and deeply personal exploration of living in the liminal space between Jewish and Arab, ancient and modern, by a gifted Palestinian writer.

Chosen by The New York Times as one of the best books of 1988, Arabesques is a luminous novel that engages with history and politics not as propaganda but as literature. That engagement begins with the language in which the book is written- Anton Shammas, from a Palestinian Christian family and raised in Israel, wrote in Hebrew, as no Arab novelist had before. The choice was provocative to both Arab and Jewish readers.

Arabesques is divided into two sections- ""The Tale"" and ""The Teller."" ""The Tale"" tells of several generations of family life in a rural village, of the interplay of past and present, of how memory intersects with history in a part of the world where different people have both lived together and struggled against each other for centuries. ""The Teller"" is about the writer's voyage out of that world to Paris and the United States, as he comes into his vocation as a writer, and raises questions about the authority of the storyteller and the nature of the self. Shammas's tour de force is both a personal and a political narrative-a reinvention of the novel as a way of envisioning and responding to historical and cultural legacies and conflicts.
By:  
Afterword by:  
Translated by:  
Imprint:   NYRB Classics
Country of Publication:   United States
Dimensions:   Height: 203mm,  Width: 128mm,  Spine: 2mm
Weight:   295g
ISBN:   9781681376929
ISBN 10:   168137692X
Pages:   280
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Anton Shammas (b. 1950) is a Palestinian writer and translator of Arabic, Hebrew, and English. His novel Arabesques, originally published in Hebrew in 1986 and translated into nine languages, was chosen by The New York Times Book Review as one of the best seven works of fiction of 1988. A professor emeritus of comparative literature and Middle East studies at the University of Michigan, Ann Arbor, Shammas's essays have been published in Harper's, The New York Times Magazine, Critical Inquiry, and The New York Review of Books. Vivian Eden is an American poet and translator who lives in Jerusalem and works on the staff of Haaretz. Elias Khoury is a literary critic, novelist, editor, playwright, activist and public intellectual. The author of twelve novels,Khoury's work has been translated into numerous languages, and he is considered one of the foremost novelists writing in Arabic today.

Reviews for Arabesques

Intricately conceived and beautifully written. . . . A crisp, luminous, and nervy mixture of fantasy and autobiography. . . [and] an elegant example of postmodern baroque. -John Updike, The New Yorker This book is a history of its author's youth and the memoir of a family and a fabled region-Galilee. . . A beautifully impressive piece of prose. -William H. Gass, New York Times Book Review Arabesques is a classic of the exploration of identity. . . A Palestinian master of Hebrew, living at the seam between the ancient and the modern, between loyalties and appetites, Shammas has written beautifully about his search for design. He transforms fact into fantasy without changing a thing. -Leon Wieseltier Arabesques really brings, as novels were once supposed to bring, 'news' from elsewhere. . . This book has already added something notable to Israeli literature. -Irving Howe, The New York Review of Books If Hebrew literature is at all destined to have its Conrads, Nabokovs, Becketts and Lonescos, it could not have hoped for a more auspicious beginning. -Muhammad Siddiq, Los Angeles Times Book Review


See Inside

See Also