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"The author of more than forty works of fiction, nonfiction, and poetry, which have been translated into over twenty-five languages, BARRY GIFFORD writes distinctly American stories for readers around the globe. From screenplays and librettos to his acclaimed Sailor and Lula novels, Gifford's writing is as distinctive as it is difficult to classify. Born in the Seneca Hotel on Chicago's Near North Side, he relocated in his adolescence to New Orleans. The move proved significant- throughout his career, Gifford's fiction-part-noir, part-picaresque, always entertaining-is born of the clash between what he has referred to as his ""Northern Side"" and ""Southern Side."" Gifford has been recipient of awards from PEN, the National Endowment for the Arts, The American Library Association, the Writers Guild of America and the Christopher Isherwood Foundation. His novel Wild at Heart was adapted into the 1990 Palme d'Or-winning film of the same name. Gifford lives in the San Francisco Bay Area."
* These brief but indelible slices of life detail the unorthodox coming-of-age of a Chicago boy named Roy Winston as he wanders the city ... The stories comprise a road novel without a mapand without a destination, but when we finish them, we know we've been somewhere real. --Booklist, starred review Gifford (the Sailor and Luna series) collects his stories and novellas about a boy named Roy and his seedy, charming world for a staggering omnibus that includes 18 new stories and sweeps back to the 1973 collection A Boy's Novel. Though he occasionally verges on adolescence, Roy is mainly portrayed as five to seven years old, picking up life lessons from showgirls, gamblers, gangsters, and hardscrabble streets , but still occasionally including a tender game of baseball, as in 'The Winner.' Roy starts out life in Florida, where, as seen in 'A Good Man to Know,' his father is involved in organized crime. Roy's mother, after his parents' divorce when Roy is eight, brings one 'rat' after another into their lives, so much so that in 'Unspoken,' Roy tries to arrange to live with a neighbor. In 'Memories of a Sinking Ship,' Roy's mom takes them both to live in Chicago. Here, the collection truly sings, where a man looks like a 'Maxwell Street organ-grinder without the organ or the monkey,' and some stories take on the lurid and matter-of-fact tone of a newspaper crime report, such as 'Sick,' in which a dead body is discovered on a lakeside beach. The stories highlight Gifford's range of styles and registers, even if the book doesn't quite cohere into a larger narrative. Taken story by story, this collection is full of gems. --Publishers Weekly Roy's World transcends audiences to a romantic, 1950's Chicago of the past, where the winters made you tougher, and the neighborhoods had a unique appreciation for the arts. The addition of airy and harmonious jazz music creates a noir feeling, while the writing of Gifford's is whisking you away to another place and time. ... the writing comes alive, because the stories of Roy, are the stories of Barry. As Christopher intertwines the writing with Gifford's life, the two become one and the same. Stories of Roy's father passing away are also Barry's reality and the Chicago that Gifford eloquently describes as Roy's just so happens to be the same Roger's Park that Barry lived in. The best way to describe a documentary like Roy's World is a complete artistic experience. --amovieguy.com review of documentary Roy's World
