Anoxia

“Anoxia is a lovely, dark, delicately written meditation on grief.” —Erika T. Wurth, author of White Horse “It was with great anticipation that I picked up Anoxia. Hernández has style, depth, humor, penetrating intelligence, and a profound insight of pathos and the modern fable. Anoxia is all at once the endless fall and the endless flight, a shared memory and an entirely new experience.” —John Reed, author of Snowball’s Chance “Today, the old art of portraying the dead is disappearing. This novel is a powerful creation that draws on both the materiality of photography and the enigmas of death. Photography is different from the images of our digital age, and its outcome—memory—deals as much with the past as with the present. Death, the source of our work of mourning, does not simply mean loss, since it engenders a new relationship with the dead, who continue haunting our lives. With Anoxia, Walter Benjamin, Roland Barthes, and Susan Sontag have found a literary companion capable of dialoguing with them. An amazing accomplishment.” —Enzo Traverso, author of Gaza Faces History “Set on the storm-lashed Mediterranean coast, Anoxia is a powerful, atmospheric novel that explores grief, art, and the transformative power of creation. As floodwaters reshape the land, Dolores—paralyzed by the loss of her husband—seeks solace in the lost art of daguerreotype photography, which captures not just a tangible image, but the shimmering essence of a moment in time. Dolores begins working with a mysterious older man who collects postmortem images, and learns that by capturing death, she is, paradoxically, reclaiming her own life. In this luminous novel, we follow the story of her awakening. A daringly original novel by one of the most gifted writers of the vibrant contemporary Spanish scene, Anoxia is a gorgeous meditation on the human experience, where art becomes both a vessel for grief and a source of profound, transformational beauty.” —Valerie Miles, author of A Thousand Forests in One Acorn “Miguel Ángel Hernández writes novels that integrate a gripping fabula with one or more important theoretical issues. While reading the engaging story, the reader cannot help but absorb relevant ideas about social-political reality as well as aesthetic questions. The literary quality matches the level of thinking. In Anoxia this concerns the combination of the art of photography with the personal effort of memory. Once you read all his novels you will have acquired unique insights that are indispensable but difficult to learn through teaching and studying.” —Mieke Bal, author of Narratology and Quoting Caravaggio “An enthralling story about photography, and the limits between life and death.” —ABC Cultural “In Anoxia…[Hernández] has achieved the perfect equilibrium…The tradition of mortuary photography drives a mysterious plot that flirts with the thriller, though the greatest value lies in the subtlety with which Hernández tackles the emotional consequences of grief.” —El Cultural