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BARBARA WILLIAMS is a Canadian musician and actress. Early in her career, Williams starred in the films Thief of Hearts and City of Hope. She won a Canadian Emmy Award for Best Actress for the telepic Mother Trucker. She was a member of the Resident Theatre Company in Vancouver, and among her more than thirty stage roles, she portrayed Amelia Earhart in the musical Amelia at Canada's National Arts Center, Joan Baez at the Met Theatre in Los Angeles, and Lady Macbeth in La Jolla, California, under Tony Award winner Des McAnuff's direction. As a musician she has performed in the United States and Canada, often in concerts devoted to peace, workers' rights, and the environment. The Hope in Leaving is her first book. She lives and works in Los Angeles with her husband, Tom Hayden, and her son, Liam.
Searingly honest, the book is a testimony to one woman's resilience and ability to love in the face of unimaginable hardship. An unsentimentally candid memoir of hope and determination. Kirkus Reviews Authentic. Human. Unselfconscious. Beautifully crafted. The Hope in Leaving is a jewel of a book. Helen Hunt Barbara Williams is the daughter of wanderlust. She grew up in logging camps, skid roads, and temporary homes on Vancouver Island and mainland British Columbia. Her father was Handsome Jack, the man who danced on tree-tops and was always saying goodbye. Indeed this is a book of leavings and disappearances where home is little more than a random path within the epic immensity and sorrow of the Pacific Northwest. In exquisite prose, always wary of self-pity, she tells the story of abrotherhood of semi-nomadic forest workers, their dangerous jobs and shattered families. The genre is deceptive: imagine a 'coming of age story' but written by John Steinbeck. Mike Davis Barbara Williams has written a breathtaking, ruthlessly poetic coming of stage; a memoirthat reads more like a hardscrabble book of common prayer. Hope In Leaving is a born writer's pure and savage plainsong, a ghost dance summoning family, hope, endurance, and the transcendence of love. Bruce Wagner If you appreciate Mary Karr and Jeannette Walls, you'll want to read Williams's eloquent memoir of growing up in and out of the harsh lumber camps of British Columbia. In an honest, compelling voice devoid of self-pity, she tells of finding solace in nature's beauty, of grasping for shards of love. Through this painful, riveting journey, the bright, curious child manages to grow into a resilient, hopeful artist. Jane Fonda
