Pilgrim Hawk

“Among this century’s finest English-language novellas.” —Samuel R. Delaney “The ever-astonishing Pilgrim Hawk belongs, in my view, among the treasures of twentieth-century American literature, however untypical are its sleek, subtle vocabulary, the density of its attention to character, its fastidious pessimism, and the clipped worldliness of its point of view.” —Susan Sontag “[Wescott’s] pulling of the rug of surety from under the reader’s feet is nothing less than what happens to a person proceeding through life. [In the book] I find a deeper, sadder truth: the truth of never being able to get to the bottom of it, of any of it. Of love. Of marriage. Of sex. Of this life itself, so full of appetite and thinking.” —Jeffrey Eugenides, Lost Classics “The reader is constantly being repositioned, constantly being forced to see something he didn’t quite see before. Mr. Wescott’s world is self-contained and precarious, and like the real one, endlessly full of meaning.” —HowardMmoss, The New Yorker The author has created a strange, tense atmosphere, while telling the story with delicacy and charm. —Library Journal “Glenway Wescott was part of a Midwestern movement in American literature during the first decades of this century-the era of Theodore Dreiser’s Sister Carrie, Willa Cather’s My Antonia, Sinclair Lewis’ Main Street, and O.E. Rolvaag’s Giants in the Earth.... [Wescott] remains an appealing and distinctive minor master. —The Washington Post Book World