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Camara Laye (1928-1980) was born in Kouroussa, a large village on the river Niger in the French West African colony of Upper Guinea. The Camaras are one of the oldest clans of the Malinke people, and Camara Laye's father, a goldsmith, was a man of considerable local authority. The eldest of seven children, Camara spent his formative years in Koranic and French elementary schools before winning a scholarship to study automobile engineering in Argenteuil, outside Paris. His precocious first book, the autobiographical novel The Dark Child, was published in France in 1953 to great acclaim; it was followed a year later by his masterpiece, The Radiance of the King. In the late 1950s Camara Laye returned to Africa, where he worked in a variety of official capacities for the government of newly independent Guinea, only to be driven into exile because of his political outspokenness. Though his final years were overshadowed by illness and poverty, Camara Laye completed two additional major works: Dramouss, a continuation of The Dark Child, and The Guardian of the Word, a rendering into French of the great Malian epic Soundiata. Toni Morrison, Robert F. Goheen Professor at Princeton, is the author of seven novels. She received the Nobel Prize in Literature in 1993. (August 2001) James Kirkup (1918-2009) was a prolific English poet, translator and travel writer.
A classic work of modernism--a signal work in the African canon and one that every lover of literature will admire and enjoy. <br> --Henry Louis Gates Jr. <p> One of the greatest of the African novels of the colonial period, Camara Laye's The Radiance of the King has delighted and puzzled generations of readers inside and outside the continent. The delight is in the humor and elegance of the language and narrative. The puzzle lies in the book's wonderfully unsettling end, which calls on us all to respond with an interpretation of our own. <br> --Kwame Anthony Appiah <p> [ The Radiance of the King ] is allegorical, Kafkaesque and African in a unique way; it is a powerful and disturbing exploration of exile, quest and reconciliation with a power greater than logic or reason. - The New York Times Book Review <p> [Laye's work] belongs within the tradition of classic world literature, describing a personal and cultural dilemma in accents that speak to all manki
