Gyula Krudy (1878-1933) was born in Nyiregyhaza in northeastern Hungary. His mother had been a maid for the aristocratic Krudy family, and she and his father, a lawyer, did not marry until Gyula was seventeen. Krudy began writing short stories and publishing brief newspaper pieces while still in his teens. Rebelling against his father's wish that he become a lawyer, he worked as a newspaper editor for several years before moving to Budapest. Disinherited, Krudy supported himself, his wife (a writer known as Satanella), and their children by publishing two collections of short stories, found success with the publication of Sinbad's Youth in 1911. Sinbad, a ghostly lover who has only his name in common with the hero from the Arabian Nights, became a signature character and figured in stories written throughout Krudy's life. Krudy's novels about contemporary Budapest proved popular during the turbulent years of the First World War and the Hungarian Revolution, but his incessant drinking, gambling, and philandering left him broke and led to the dissolution of this first marriage. During the late 1920s and early 1930s, Krudy suffered from declining health and a diminishing readership, even as he was awarded Hungary's most prestigious literary award, the Baumgarten Prize. Forgotten in the years after his death, Krudy was rediscovered in 1940, when Sandor Marai published Sinbad Comes Home, a fictionalized account of Krudy's last day. The success of the book led to a revival of Krudy's works and to his recognition as one of the greatest Hungarian writers. George Szirtes was born in Budapest in 1948 and moved to England as a refugee in 1956. He has published several books and won various prizes including the T S Eliot Prize for Reel in 2005. He lives near Norwich with his wife, the painter Clarissa Upchurch.
[Krudy's] literary power and greatness are almost past comprehension . . . Few in world literature could so vivify the mythical in reality . . . With a few pencil strokes he draws apocalyptic scenes about sex, flesh, human cruelty and hopelessness. --Sandor Marai <br><br> There is about Krudy an absolutely railed-down otherworldliness. A brilliant spectrum where reality is just one possible colour... This book is just a gift. I am grateful to George Szirtes for making it possible for me to read it and praise it. --Michael Hofmann, The Times Literary Supplement