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Italian
Granta
15 June 2004
The novels that the great Italian writer Alberto Moravia wrote in the years following the World War II represent an extraordinary survey of the range of human behavior in a fragmented modern society. Boredom, the story of a failed artist and pampered son of a rich family who becomes dangerously attached to a young model, examines the complex relations between money, sex, and imperiled masculinity. This powerful and disturbing study in the pathology of modern life is one of the masterworks of a writer whom as Anthony Burgess once remarked, was ""always trying to get to the bottom of the human imbroglio.""
By:  
Introduction by:  
Translated by:  
Imprint:   Granta
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 203mm,  Width: 127mm,  Spine: 18mm
Weight:   280g
ISBN:   9781590171219
ISBN 10:   1590171217
Pages:   352
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Other merchandise
Publisher's Status:   Active

Alberto Moravia (1907-1990) published his first novel, The Time of indifference, at the age of twenty-three. Banned from publishing under Mussolini, he emerged after World War II as one of the most admired and influential twentieth-century Italian writers. His novels include Two Adolescents, Two Women and The Women of Rome. William Weaver, who teaches at Bard College, is a transiator and critic. His most recent book is a new translation of Italo Svevo's Zeno's Conscience (March 2002).

Reviews for Boredom

In its moral and artistic economy, [Boredom] is perhaps the most successful of all Moravia's work. . . .No one has depicted a series of carnal acts, frenzied yet cold in their automatism-nudity, desire and its outlet-with such complete lack of complacence, such impassive truthfulness. -Nicola Chiaromonte, Partisan Review Precise, calculating, decadent and quite brilliant. -Kirkus Reviews Boredom is Moravia's most succinct exploration of the quiet desperation at the heart of the automated human...one of Moravia's funniest explorations on the origins of middle-class funk. -Bill Marx, Boston Review


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