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An award-winning writer since 1973, Marv Wolfman succeeded mentor Roy Thomas as Marvel’s editor in chief. Well-remembered for his Tomb of Dracula scripts, he also enjoyed runs on Dr. Strange, Fantastic Four and Nova, among other titles. New Teen Titans, his 1980s collaboration with George Pérez, became DC Comics’ biggest hit in years. Wolfman and Pérez literally rewrote DC history with Crisis on Infinite Earths. He subsequently penned episodes for such animated TV series as G.I. Joe, Transformers and others. Jim Shooter entered the comic-book field at age 14 as writer and penciler of the “Legion of Super-Heroes” feature in Adventure Comics. Later moving to Marvel, he wrote Daredevil, Ghost Rider, Marvel Team-Up, Marvel Two-in-One and other titles. As editor in chief, he tightened Marvel’s publishing schedule; added new titles; nurtured fresh talent; launched the New Universe; and wrote the 12-issue Secret Wars and its sequel, Secret Wars II. Eventually leaving Marvel, Shooter wrote for Valiant, Defiant and Broadway Comics before entering different creative fields at Phobos Entertainment and TGS Inc. Later returning to DC to write Legion of Super-Heroes, he subsequently helped revamp Gold Key heroes at Dark Horse. The artistic career of Bob Brown (d. 1977) spanned the Silver Age in its entirety, culminating with his Bronze Age art in not only Avengers but also Daredevil. At DC, he co-created “Space Ranger,” then helped define two of the publisher’s pivotal Silver Age adventure teams, Challengers of the Unknown and Doom Patrol. His Batman work spanned almost all of the Dark Knight’s books of the era. The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula — among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker’s Captain America at the age of 82 drew well-deserved raves.
