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MOIS S KAUFMAN is the founder and artistic director of Tectonic Theater Project, a theater company based in New York City. His 1997 playGross Indecency- The Three Trials of Oscar Wildewas named one of the best plays of the year byTime, Newsday,theNew York Post, The Advocate, andThe New York Times. With Tectonic he has directed works by Samuel Beckett, Tennessee Williams, Benjamin Britten, and others, and created new works includingThe Laramie Projectand33 Variations.He is the recipient of the 1997 Joe A. Callaway Award for excellence in the craft of stage direction. In 2016, President Obama awarded Kaufman a 2015 National Medal of Arts for ""his powerful contributions to American theater."" BARBARA PITTS MCADAMS was an actor/dramaturg for The Laramie Project, performing at BAM, Alice Tully Hall, Union Square Theater, LaJolla Playhouse, Berkeley Rep, and Denver Center. She also appears in the HBO Films adaptation and shares an Emmy Nomination for the screenplay. Barb originally codified Moment Work for an internal teaching manual, and, as a Moment Work master teacher, leads trainings and devises new plays at colleges and high schools. She has also served as an adjunct professor for Drew University and CUNY's Applied Theater MA program. She is a two-time Orchard Project and Sundance Theater Lab alum and a proud cast member of the award-winning web series Anyone But Me, about lesbian teens in the post-9/11 era.
For theater professionals, this invaluable book offers boundless inspiration as it reinvents the way in which great plays are made. For theater enthusiasts, it offers thrilling, behind-the-scenes accounts of the birth of seminal works like Gross Indecency, The Laramie Project, and 33 Variations. It is every bit as exciting as the indelible scripts the Tectonic Theater Project creates. --Doug Wright, Pulitzer Prize- and Tony Award-winning playwright, librettist, and screenwriter Bringing together their earliest work and latest offerings in this book, Tectonic Theater artists give us an insider's perspective to their uniquely diverse and imaginative Moment Work process. A powerful wake up call to artists. --Mark Bly, former Chair, MFA Playwriting Program Yale School of Drama, Teaching Artist and Dramaturg for The Acting Company Moment Work has become the foundation of my devising methodology: these practices elevate the theatre maker's ability to precisely articulate their artistic intentions, which makes for strong devisers as well as actors, directors, designers and playwrights. This book unpacks techniques and processes that generate clear communication and true collaboration amongst creators. --Rich Brown, Professor of Acting and Movement, Western Washington University An important text for the field of devised theater-making, and theater-making in general. Kaufman corrects a common misconception that devised theater is somehow antithetical to text-based work. Moment Work experimentation, we learn, can always be in dialogue with--yet is never encumbered by--the text. This book invites us to interrogate how a play is made, piece by piece (or moment by moment), from initial research through to experimentation, sequencing, and composition. --Andrew Kircher, Director, Devised Theater Initiative, The Public Theater I have been devising theater for over twenty years. . . . Encountering Moment Work was extremely refreshing because it introduces a crystal-clear vocabulary for creating and analyzing devised work. It should be considered the ur method of devising. --Dr. Rachel Bowditch, Associate Professor at Arizona State University and author of On the Edge of Utopia: Performance and Ritual at Burning Man
