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Floarea uuianu [""Tsu-tsu-ya'-nu""] graduated from the Nicolae Grigorescu Institute of the Fine Arts in Bucharest and turned to publishing poetry after the Romanian revolution at the end of 1989. She has published six books of poetry: The Fish Woman (Femeia pete, Editura Cartea Romneasc, 1996); Libresse oblige (Editura Crater, 1998); The Lion Mark (Leul Marcu, Editura Aritmos, 2000); a volume of selected and new poems, The Art of Seduction (Arta seduciei, Editura Vinea, 2002); and Your Magnanimity (Mrinimia Ta, Editura Brumar, 2010). Recently, she compiled an anthology of her erotic poetry gathered from previous collections throughout her career, Sappho (Editura Cartea Romneasc, 2012). uuianu has commented, ""Sappho and Emily Dickinson are my favorite poets. I would like to live like Sappho and write like Emily. Or to live like Emily and write like Sappho."" uuianu is a graphic designer at the Romanian Cultural Institute Publishing House in Bucharest, where she lives. She continues to work as a visual artist as well as a poet, and her numerous exhibits have appeared not only in Romania but also in Greece, France, Italy, Turkey, Israel, England, Holland, Germany, and Austria. In 2011, Adam J. Sorkin and Irma Giannetti published My Dog-the Soul/Cinele meu-sufletul, a dozen poems in a dual-language chapbook published in New Zealand from Cold Hub Press. uuianu's poems in Sorkin's and Giannetti's translations have appeared in notable poetry magazines in the U.S. and the U.K., including The Marlboro Review, Artful Dodge, Turnrow, Tampa Review, New Letters, Puerto del Sol, 5 AM, Diode, Poetry International, Blood Orange Review, Modern Poetry in Translation, St. Petersburg Review, and two anthologies, The Vanishing Point That Whistles: Contemporary Romanian Poetry, ed. Paul Doru Mugur, Sorkin and Claudia Serea (Talisman House, 2011), and Romanian Writers on Writing, ed. Norman Manea and Sanda Cordo (Trinity University Press, 2011). Her poetry has also been translated into French, German, Hungarian, Italian, Polish, Czech, and Turkish. In 2007, she was awarded the Poetry Prize of the Lucian Blaga International Poetry Festival. Adam J. Sorkin has published more than fifty books of translation, and his work has won the Poetry Society (U.K.) Prize for European Poetry Translation as well as the International Quarterly Crossing Boundaries Award, the Kenneth Rexroth Memorial Translation Prize, the Ioan Flora Prize for Poetry Translation, and the Poesis Translation Prize, among others. His recent publications include A Sharp Double-Edged Luxury Object by Rodica Draghincescu, translated with Antuza Genescu (erven Barva Press, 2014); Gold and Ivy/Aur i ieder by George Vulturescu, translated with Olimpia Iacob (Eikon, 2014); The Starry Womb by Mihail Glanu, translated with Petru Iamandi and the author (Dilogos Books, 2014); and The Book of Anger by Marta Petreu, translated with Christina Zarifopol-Illias and L[iviu Bleoca (Dilogos Books, 2014). The Hunchback's Bus by Nora Iuga, translated with Diana Manole, appeared from Bitter Oleander Press in the fall of 2016. Eclogue by Ioana Ieronim, translated with the author, is forthcoming from erven Barva Press. Sorkin is Distinguished Professor of English, Penn State Brandywine. Irma Giannetti grew up in Cluj-Napoca, in the Transylvania region of Romania, speaking Hungarian and Romanian. She studied English and French as an undergraduate in Romania, then English and Comparative Literature as a graduate student in the United States, including at Penn State. At Penn State University Park, she has worked in technology support and now serves as an adviser in the Division of Undergraduate Studies, an enrollment unit for first and second-year exploratory students. Her co-translations with Adam J. Sorkin have appeared widely in literary magazines, as well as in a number of anthologies. Giannetti has also contributed translations of articles from French and Romanian to a special issue of Dada/Surrealism, ""From Dada to Infra-noir: Dada, Surrealism, and Romania"" (2015).
Floarea Tutuianu presents us with erotic poetry of a singular kind, full of magic and the divine: graceful and feline, original, seductive...--Norman Manea, Author of The Hooligan's Return Floarea Tutuianu is a sexy poet who loves language play, and her freighted words load her poetry with desire. Basic to her poetry is a playful narcissistic persona...her provocative femininity grants her the role of a postmodern succubus. Tutuianu really means it when she writes, I want to be Leda, the swan between my legs ! She is courageous in her erotic language.--Ruxandra Cesereanu Author of Crusader Woman The poetry of Floarea Tutuianu is not a poetry of the senses, of the joy of physical contact... Preoccupations of a very different order gnaw at the foundation of this poetry: in her embrace, the author has as her partner not the body, but the word.â ¨--Eugen Negrici, Romanian critic and literary historian
