Keith Lee Morris is an associate professor of English and creative writing at Clemson University. His short stories have been published in Tin House, A Public Space, Southern Review, Ninth Letter, StoryQuarterly, New England Review, The Sun, and the Georgia Review, among other publications. The University of Nevada published his first two books, The Greyhound God (2003) and The Best Seats in the House (2004), and Tin House Books published The Dart League King.
<br> In these 13 stories, protagonists turn the reader into a confidant and introduce plots that believably approximate the unique and fitful path of human thought...Morris's prose is polished to transparency and proves surprisingly flexible in terms of tone...marked by quiet authority and beautifully observed moments. -- Publishers Weekly <p> Morris has enough guts to reveal al of his character's insecurities, but enough empathy to never revel in them. -- Time Out Chicago <p> With his matter-of-fact prose and bitter humor, the author has spent a decade writing quietly debilitating portraits of the kind of men that grew up poor in small Western towns...and never left. . . . Morris' ability to capture these people without irony or pity turns them from caricatures to our own lonesome, troubled neighbors and family members, allowing each a few beautiful moments in otherwise fucked-up lives. --Kelly Clarke, Willamette Week <br> It's Morris' ability to isolate these kinds of human longings and riff on them, even past morbidity to the point of a black hilarity that makes his fiction so compelling and so real. --Matt Davis, Portland Mercury <br> Morris delves into the lives of marginal men with great understanding. Many are treading the edge of self-awareness with an awkwardness that could be grace -- or despair. -- Minneapolis Star Tribune <br> Morris has an honesty to his writing that comes from homing his craft so that just the essentials are left and a sympathy and humanism to the way he presents his characters. --Kevin Holtsberry, Collected Miscellany <br> In less capable hands, these stories of hardscrabble lives could become sentimentalized or condescending, but Keith Lee Morris is too talented, too empathetic, to allow that to happen. Though his characters are often in extremis, their humanity is always fully realized. These characters, and the stories they tell us, haunt the reader long after the last page is turned, as only t