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A Beginner's Faith in Things Unseen

John Hay

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Paperback

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English
Beacon Press
01 September 2018
Series: Concord Library
In A Beginner's Faith in Things Unseen John Hay writes from the vantage point of eighty, and like no other American writer on what he calls ""the real world.""

Hay returns to memories of a boyhood divided between Manhattan and the deep woods of Sunapee, New Hampshire, to a time when he knew ""one should always be outdoors, with the unregistered and the unsigned."" He writes with precision and beauty of pilot whale strandings on Cape Cod's Outer Beach-and of the attendant human confusion and greed-and of the sweep of a century in which ""our modern, owned world is going deaf from listening to its own answers."" Hay keeps company with Maine barn swallows and finds in the Lakota Sioux Grass Dance a way to listen to the wind. Always, through often uncannily affecting language, John Hay shows us just which ceremonies we all must attend to.
By:  
Imprint:   Beacon Press
Country of Publication:   United States
Edition:   New edition
Dimensions:   Height: 208mm,  Width: 132mm,  Spine: 10mm
Weight:   156g
ISBN:   9780807085332
ISBN 10:   0807085332
Series:   Concord Library
Pages:   144
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

John Hay (1915-2011) is the author of The Great Beach (winner of the John Burroughs Prize), The Run, and A Beginner's Faith in Things Unseen, among many other books.

Reviews for A Beginner's Faith in Things Unseen

In this eloquent memoir, on the eve of his 80th birthday, Hay (The Bird of Light, 1991) reviews the lessons of a life lived close to nature. Widely recognized as the dean of modern nature writing, Hay divides his retirement between Cape Cod and Maine. Here he cultivates a deepening connection to nature, whether in reading the wild grasses to understand the land that lies beneath or observing in trees the stages of growth that parallel his own. As a child in Manhattan, he was first enchanted with nature in a diorama of timber wolves chasing deer across the moonlit snow at the American Museum of Natural History. There is much to be said for the eye of a child, Hay recalls, as it conveys a wonder that does not seek to control or define what it sees. Adults miss that wonder when they rush to explain rather than appreciate such mysteries as why pilot whales strand themselves on a beach. He laments the distance that the introduction of technology has opened up between humankind and nature. In the fishing industry, dragnets and radar have encouraged grossly wasteful harvesting that has destroyed entire marine ecosystems. When we repeatedly cut ourselves off from the realities of nature by viewing fish in terms of profit and loss rather than as essential food, we risk casting ourselves into a limbo, a darkness of our own making. Everywhere around him, Hay sees our desecration of nature, from the death of the Chesapeake Bay to the Dust Bowl of the Great Plains. Both his point and his examples are less than fresh, but he compellingly presents his argument that we ignore a deeper reality that the land is better known through respecting its mysteries than putting it on a shopping list. This memoir shows no diminution in Hay's genius for expressing a powerful and contagious appreciation of nature. (Kirkus Reviews)


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