Beat the rise! Delivery fees are going up soon.

Close Notification

Your cart does not contain any items

Feel the Floor

Restoring the Life and Legacy of Jazz Choreographer Buddy Bradley

Maureen Footer

$75

Hardback

Not in-store but you can order this
How long will it take?

QTY:

English
Beacon Press
12 May 2026
""...

An urgent offering that brings forward

Buddy

Bradley's unlikely achievement as an African American dance artist...

A triumph of research and compassion.""

-Dr. Thomas De Frantz, author of Dancing Many Drums- Excavations in African American Dance

The first biography of the deeply influential and unjustly overlooked Black choreographer and dancer Buddy Bradley

A stunning resurrection of the visionary choreographer Buddy Bradley whose contributions to rhythm tap and jazz dance in the 1920s and '30s indelibly transformed the way we move to music

In Feel the Floor, Maureen Footer shows how Bradley's revolutionary moves electrified Broadway in the 1920s and conquered London's West End in the 1930s, introducing new inflections to the era's tap and jazz dance.

His experiments in rhythm and staging would anticipate bebop, and his influence even permeated classical dance, cross-pollinating with ballet choreographers like Frederick Ashton and George Balanchine.

Mirroring today's fight for recognition of Black contributors to transatlantic culture, Buddy Bradley's story isn't just one of influence. He created the movement language we still speak today.

The white performers Bradley taught to move became legends- Eleanor Powell, Ruby Keeler, Adele Astaire, Jessie Matthews. Bradley was also the first to fuse movement, character, and narrative in the theater, setting the stage for the integrated book musical and the careers of Agnes de Mille, Bob Fosse, and Jerome Robbins.

In post-war Great Britain, as Black American dancers and jazz musicians flocked to London (and a congenial base at Bradley's dance school), he danced and choreographed with Baby Laurence, Pete Nugent, Frankie Manning, and Mabel Lee, among others.

Footer spent five years in prodigious research, crossing two continents, tracking ancestral history in the Deep South, and enlisting private investigators to uncover Bradley's buried legacy.

Feel the Floor corrects the false narratives that have erased Bradley's influence, revealing how one man's genius transformed musical theater, shaped modern ballet, and rewired the very DNA of American dance.
By:  
Imprint:   Beacon Press
Country of Publication:   United States
Dimensions:   Height: 229mm,  Width: 152mm, 
Weight:   567g
ISBN:   9780807045244
ISBN 10:   0807045241
Pages:   360
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Hardback
Publisher's Status:   Active
Introduction PART 1: SOUTHERN RHYTHMS, 1838–1920 CHAPTER 1 Ancestral Whispers CHAPTER 2 Fathers and Sons in the Black Belt of Alabama CHAPTER 3 Post-Reconstruction: Explorations Beyond Home CHAPTER 4 An Observant Child in Birmingham CHAPTER 5 Crossing the Mason-Dixon Line to Harrisburg PART 2: NEW YORK JAZZ, 1921–1930 CHAPTER 6 Harlem Chorus Boy CHAPTER 7 Celebrity Dance Instructor on Broadway CHAPTER 8 A Black Choreographer on the Great White Way PART 3: LONDON CALLING, 1931–1932 CHAPTER 9 Ever Green and Affirmation CHAPTER 10 Appraising London CHAPTER 11 Expatriation PART 4: THE EXPANSIVE YEARS, 1932–1938 CHAPTER 12 On Pointe with Frederick Ashton and Noël Coward CHAPTER 13 Ballyhoo to the Folies Bergère CHAPTER 14 Seduction and the Camera’s Eye CHAPTER 15 The Gauguin of the Dance CHAPTER 16 Dancing on the Ceiling CHAPTER 17 Top Hat and Tails CHAPTER 18 Follow the Sun to Happy Returns PART 5: SHIFTS IN RHYTHM, 1939–1960 CHAPTER 19 Dancing in the Blitz CHAPTER 20 All That Jazz CHAPTER 21 Jazz Maestro CHAPTER 22 Troupes, Tours, and Baby Laurence PART 6: RESOLUTION, 1961–1972 CHAPTER 23 The Swerving Sixties CHAPTER 24 Back to the Future EPILOGUE Acknowledgments Chronology Notes Bibliography Image Credits Index

Maureen Footer is author of George Stacey and the Creation of American Chic and Dior and His Decorators- Victor Grandpierre, Georges Geffroy, and the New Look. Her books have been reviewed in The Financial Times, Forbes, the Times Literary Supplement, Vogue, Wall Street Journal, and Vanity Fair, among others. Ms. Footer sits on the boards of the New York City Ballet and the Jerome Robbins Dance Division of the New York Public Library, the preeminent dance research institution in the world. She can be found today studying tap in dance studios and dancing to African drums in the East Village.

Reviews for Feel the Floor: Restoring the Life and Legacy of Jazz Choreographer Buddy Bradley

“An excellent and overdue portrayal of a backstage trailblazer, showing Bradley’s hard work, dedication, and sacrifice to make a life doing what he loved.” —Library Journal “Finally! A meticulously researched biography of Buddy Bradley, the visionary choreographer who revolutionized jazz and tap dance, electrified Broadway, and transformed London’s West End. With passionate narrative drive, Maureen Footer restores Bradley’s rightful place in dance history, tracing influences from across geographies, performance genres, and shifting social circumstances. A celebration of artistry, resilience, and cultural legacy, this book is essential reading for anyone passionate about dance, history, and the fight for recognition.” —Thomas F. DeFrantz, author of Dancing Revelations: Alvin Ailey’s Embodiment of African American Culture “With exemplary research and insights into the life and work of Buddy Bradley, one of the legends of the dance world, Maureen Footer places into the spotlight an innovative yet often overlooked choreographer. Feel the Floor is an engaging, informative, and accessible biography that will appeal not only to anyone interested in the history of dance but also musical theatre and cinema.” —Stephen Bourne, author of Black in the British Frame: Black People in British Film and Television 1896-1996 “Descended from free, landowning Southern Blacks, Buddy Bradley claimed his territory as an innovative jazz tap dancer and choreographer. He began in Harlem Renaissance New York, then, when segregation dwarfed his ambitions, he moved to London. There, artists and audiences were eager to see a multilingual choreography, which joined jazz tap to ballet and musical theater. His work was brilliant and wide ranging. So is Maureen Footer’s biography. With historical rigor and narrative elegance, she restores the life and art of an American dance genius.” —Margo Jefferson, author of Negroland “Feel the Floor tells the rich, layered story of choreographer Buddy Bradley and his journey from Alabama to Harlem and on to London’s West End. Maureen Footer weaves a compelling tale, showing how Buddy Bradley’s influence on dance on both stage and screen spread across the Atlantic and brought the dance culture of the Black American South to the world.” —W. Ralph Eubanks, author of When It’s Darkness on the Delta


See Also