Dina Gilio-Whitaker (Colville Confederated Tribes) is a lecturer of American Indian Studies at California State University San Marcos, and an independent consultant and educator in environmental justice policy planning. At CSUSM she teaches courses on environmentalism and American Indians, traditional ecological knowledge, religion and philosophy, Native women's activism, American Indians and sports, and decolonization. As a public intellectual, Dina brings her scholarship into focus as an award-winning journalist as well, contributing to numerous online outlets including Indian Country Today, the Los Angeles Times, High Country News and many more. Dina is co-author with Roxanne Dunbar-Ortiz of ""All the Real Indians Died Off""- And 20 Other Myths About Native Americans, and As Long as Grass Grows- The Indigenous Fight for Environmental Justice from Colonization to Standing Rock.
“With clarity and conviction, Dina Gilio-Whitaker exposes what’s at stake for Native people when Indianness becomes a commodity. A sharp, personal, and urgent look at the high cost for actual Native people in a system built to exploit them at every turn.” —Kim TallBear, author of Native American DNA: Tribal Belonging and the False Promise of Genetic Science “Indigeneity is caught between truth tellers and tricksters. With abiding concern for tribal nationhood, Dina Gilio-Whitaker boldly espouses our truths while confronting the tricksters among us. Indigenous America needs more truth tellers like her and books like this.” —Gabe Galanda, Indigenous rights attorney “Dina Gilio-Whitaker’s Who Gets to Be Indian? tackles the problem of the commodification of Native identity at a crucial moment in American history. With incisive analysis, Gilio-Whitaker reveals how settler capitalism has distorted and exploited Indigenous identities and exposes the roots of folks pretending to be Native and its harms to Native communities. This book is a call to action and a vital tool for understanding how we can protect Indigenous people. A must-read for anyone seeking to confront the complexities of Native identity, sovereignty, and power in America.” —Liza Black, author of Picturing Indians: Native Americans in Film, 1941–1960