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A Sniper in the Arizona

2nd Battalion, 5th Marines in the Arizona Territory, 1967

John Culbertson

$16.99

Paperback

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English
Ivy Books,U.S.
15 December 1999
""Morning was always a welcome sight to us.

It meant two things. The first was that we were still alive. . . .""

In 1967, death was the constant companion of the Marines of Hotel Company, 2/5, as they patrolled the paddy dikes, mud, and mountains of the Arizona Territory southwest of Da Nang. But John Culbertson and most of the rest of Hotel Company were the same lean, fighting Marines who had survived the carnage of Operation Tuscaloosa. Hotel's grunts walked over the enemy, not around him.

In graphic terms, John Culbertson describes the daily, dangerous life of a soldier fighting in a country where the enemy was frequently indistinguishable from the allies, fought tenaciously, and thought nothing of using civilians as a shield. Though he was one of the top marksmen in 1st Marine Division Sniper School in Da Nang in March 1967--a class of just eighteen, chosen from the division's twenty thousand Marines--Culbertson knew that against the VC and the NVA, good training and experience could carry you just so far. But his company's mission was to find and engage the enemy, whatever the price. This riveting, bloody first-person account offers a stark testimony to the stuff U.S. Marines are made of.
By:  
Imprint:   Ivy Books,U.S.
Country of Publication:   United States
Dimensions:   Height: 168mm,  Width: 103mm,  Spine: 13mm
Weight:   159g
ISBN:   9780804118705
ISBN 10:   0804118701
Pages:   288
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

John J. Culbertson served with the 2/5, 1st Marine Division, at An Hoa, Republic of Vietnam, from December 1966 to July 1967. Mr. Culbertson served as a Marine Rifleman, MOS 0311, on Operation Tuscaloosa. He completed 1st MarDiv Sniper School in Da Nang, where he earned the secondary MOS 8541. He was wounded in action and earned three Purple Hearts. He also was awarded the Combat Action Ribbon, Presidential Unit Citation, Navy Unit Commendation, Meritorious Unit Commendation, Vietnam Cross of Gallantry with Palm, Marine Corps Good Conduct Medal, and multiple expert rifleman badge awards. Mr. Culbertson received an honorable discharge from the U.S. Marine Corps in 1971 at the rank of sergeant.

Reviews for A Sniper in the Arizona: 2nd Battalion, 5th Marines in the Arizona Territory, 1967

Under the successive mid-twentieth century urgings of Muslim iconoclasm and state socialism, it seems as if some coastal Baga of Guinea became willing accomplices in the destruction of their own revered customs, chiefly authorities, and material culture. The great achievement of Ramon Sarro's nuanced ethnography is to reveal the truth of this view of the past while simultaneously exploring its limitations, seen from contemporary Guinea in which Baga ethnicity and custom are re-emerging as contested territories. Beyond this specific instance, Sarro demonstrates why modernizing processes have been fractured, fractious and fracturing in the experience of African people. -- Richard Fardon This is a wonderfully subtle account of social change among the Baga-speaking people of coastal Guinea, centred on dance and iconoclasm as modes of religious and inter-generational contestation. Broad in scope, erudite, and yet elegant in presentation, Sarro's book has wide significance for debates about conflict as performance, while being a pleasure to read. -- Paul Richards Under the successive mid-twentieth century urgings of Muslim iconoclasm and state socialism, it seems as if some coastal Baga of Guinea became willing accomplices in the destruction of their own revered customs, chiefly authorities, and material culture. The great achievement of Ramon Sarro's nuanced ethnography is to reveal the truth of this view of the past while simultaneously exploring its limitations, seen from contemporary Guinea in which Baga ethnicity and custom are re-emerging as contested territories. Beyond this specific instance, Sarro demonstrates why modernizing processes have been fractured, fractious and fracturing in the experience of African people. This is a wonderfully subtle account of social change among the Baga-speaking people of coastal Guinea, centred on dance and iconoclasm as modes of religious and inter-generational contestation. Broad in scope, erudite, and yet elegant in presentation, Sarro's book has wide significance for debates about conflict as performance, while being a pleasure to read.


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