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The Journey Prize Stories 31

The Best of Canada's New Writers

Carleigh Baker Catherine Hernandez Joshua Whitehead

$32.99

Paperback

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English
McClelland & Stewart Inc.
24 September 2019
"The 31st edition of the celebrated annual fiction collection showcasing the best stories by the best new writers in Canada, all contenders for the prestigious $10,000 Writers' Trust of Canada/McClelland & Stewart Journey Prize.

For more than thirty years, this celebrated anthology has introduced readers to the next generation of great Canadian writers. With settings ranging from a Saskatchewan wheat field marked by crop circles to a dystopian metropolis where people are under constant surveillance, the twelve stories in this collection represent the year's best short fiction by some of our most exciting emerging voices.

An aspiring artist looking for inspiration in the ""aliveness of the desert"" gets less--and more--than she bargained for when she signs up for a residency at a roadside motel. After years of toiling to pay off a debt that has devastated his family, a young Chinese fisherman makes a magical catch that will change the course of his life. As a populist candidate stands poised to triumph at a political convention, his campaign strategist and childhood best friend reflects on the dark legacy of their relationship. A brutal assault on a Toronto taxi driver leads his friend on a desperate search for answers. When troubling stories of women's encounters with aliens start to dominate the news cycle, a reporter reluctantly returns to her hometown to cover the phenomenon. A carpet collector reimagines his family's fractured history by weaving new tapestries to tell their stories. Unsure of whether his client is really dying, an end-of-life gift professional must assess the man's extravagant last wish. A Ktunaxa grandmother tells a parable of why you shouldn't speak to Kupi (owl) at night."
By:   , ,
Imprint:   McClelland & Stewart Inc.
Country of Publication:   Canada
Dimensions:   Height: 210mm,  Width: 130mm, 
ISBN:   9780771050794
ISBN 10:   0771050798
Pages:   216
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

"CARLEIGH BAKER is an nahiyaw pihtawikosis n /Icelandic writer who lives as a guest on the unceded territories of the xʷməθkʷəy̓əm, Skwxwu7mesh, and səl̓ilwəta peoples. Her work has appeared in Best Canadian Essays, The Short Story Advent Calendar, and The Journey Prize Stories. She also writes reviews for the Globe and Mail and the Literary Review of Canada. Her debut story collection, Bad Endings (Anvil, 2017) won the City of Vancouver Book Award, and was also a finalist for the Rogers Writers' Trust Fiction Prize, the Emerging Indigenous Voices Award for fiction, and the BC Book Prize Bill Duthie Booksellers' Choice Award. CATHERINE HERNANDEZ is the Artistic Director of b current performing arts and the award-winning author of Scarborough (Arsenal Pulp Press). Scarborough won the 2015 Jim Wong-Chu Award, was shortlisted for the Toronto Book Award, the Evergreen Forest of Reading Award, Edmund White Award for Debut Fiction, the Trillium Book Award, and longlisted for Canada Reads 2018. It made the ""Best of 2017"" lists for the Globe and Mail, National Post, Quill and Quire, and CBC Books. JOSHUA WHITEHEAD is an Oji-Cree/nehiyaw, Two-Spirit/Indigiqueer member of Peguis First Nation (Treaty 1). He is the author of the novel Jonny Appleseed (Arsenal Pulp Press), which was longlisted for the Scotiabank Giller Prize and shortlisted for a Governor General's Literary Award in Fiction, and the poetry collection full-metal indigiqueer (Talonbooks), which was shortlisted for the inaugural Indigenous Voices Award for Most Significant Work of Poetry in English and the Stephan G. Stephansson Award for Poetry. Currently, he is working on a PhD in Indigenous Literatures and Cultures at the University of Calgary's English department (Treaty 7)."

Reviews for The Journey Prize Stories 31: The Best of Canada's New Writers

Praise for The Journey Prize The collection consistently does what the oeuvre does best: communicate intense emotion with force, give life to characters that struggle with their circumstances, illuminate the universal through the specific and the particular, and turn the commonplace into art. --The Globe and Mail


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