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English
Vintage
01 May 1992
'BLOOD is a virtuoso work- the writing sinewy and beautiful. . . the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, 'Blood' itself and 'Fearless', will certainly end up in anthologies- not Best Scottish Writers, or Best Women Writers, but quite simply, Best' New Statesman and Society.

'I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer' James Kelman

'Blood is a virtuoso work- the writing sinewy and beautiful...the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, 'Blood' itself and 'Fearless', will certainly end up in anthologies- not Best Scottish Writers, or Best Women Writers, but, quite simply, best' New Statesman

'A salutary collection...

A marvellous revelation. A writer of passion and virtuosity shines through' Scotland on Sunday

'Genuinely unnerving...she is a fierce, troubling new writer' Observer

'Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her...as one of Scotland's best young writers' Sunday Telegraph

'There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced' Glasgow Herald
By:  
Imprint:   Vintage
Country of Publication:   United Kingdom
Dimensions:   Height: 198mm,  Width: 129mm,  Spine: 14mm
Weight:   171g
ISBN:   9780749391959
ISBN 10:   0749391952
Pages:   240
Publication Date:  
Recommended Age:   From 0 years
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Janice Galloway's first novel, The Trick is to Keep Breathing, now widely regarded as a Scottish contemporary classic, was published in 1990 and won the MIND/Allen Lane Book of the Year. Her second novel, Foreign Parts, won the American Academy of Arts and Letters E. M. Forster Award while her third, Clara, about the tempestuous life of nineteenth-century pianist Clara Wieck Schumann, won the Saltire Award in 2002. Collaborative texts include an opera with Sally Beamish and three cross-discipline works with Anne Bevan, the Orcadian sculptor. Her 'anti-memoir', This Is Not About Me, was published by Granta in September 2008 to universal critical acclaim. She lives in Lanarkshire.

Reviews for Blood

A story collection from Scottish writer Galloway - reflecting a typically bleak late-20th-century British landscape and informing ethos - makes its American debut. Galloway writes about a sunless world of grimy streets, drunken men, and brutalized women. Many of the pieces are little more than brief sketches of a mood, place, or character; others resemble scenes from a play. All are relentlessly downbeat, even macabre. In the title story, a callous dentist dismisses a young patient after an extraction, with an unstoppable redness seeping through the fingers of her open mouth. In Breaking Through, a beloved cat is allowed to burn to death while a little girl watches; and in Two Fragments, two equally nasty explanations are given to a child for her grandmother's glass eye. Three notable pieces are: Later He Would Open His Eyes in a Strange Place, Wondering Where She, in which an elderly couple read the biography of Arthur Koestler, then decide to imitate him by committing suicide together; Plastering the Cracks, where a young woman engages some workmen but, later, eavesdropping through the wall, becomes fearful of their intentions; and A Week with Uncle Felix, in which Stenga, a withdrawn young girl unable to ask questions about her long-dead father ( You couldn't ask what he was like: that was the kind of question you never got much of an answer for. Or it got turned into something else: drunk and violent ) is abused by an elderly uncle. Powerful images and ideas in stories often too elliptical and fragmentary to engage fully. An interesting but uneven debut. (Kirkus Reviews)


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