Liz Berry was born in 1980 in the Black Country. She received an Eric Gregory Award, an Arvon-Jerwood Mentorship, and her pamphlet The Patron Saint of Schoolgirls was published by Tall-Lighthouse in 2010. Her work has appeared in Poetry Review and Poetry London and have been broadcast on BBC Radio 3. In 2011, her poem 'Birmingham Roller' was commended in the National Poetry Competition and 'Sow' won second prize in the Poetry London competition. In 2012, 'Bird' received first prize in the Poetry London competition. She works as an infant school teacher and is the assistant poetry editor at Ambit magazine.
Black Country is an extraordinary debut...rooted in place. When you close the book, you can still see the Black Country in your mind's eye, as if all the poems in it were coming together to form a continuous landscape, a single yet varied view. These poems need to be studied slowly yet there is, as one reads on, a sense of gathering speed, a flightiness, a readiness to soar... She writes, in the best sense, on a wing and a prayer. What marks out this writing is its sparing but assured use of Midlands dialect. This is writing of warmth, maturity and intermittent eroticism. Liz Berry knows her own flight-path, that is for sure. -- Kate Kellaway Observer Berry's nostalgic, dramatic and dialect-sprinkled poems bring a dream-like West Midlands into English verse -- Paul McCartney Sunday Times Berry seems, excitingly, to be several poets in one. [She] specializes in the fabulous... This energy lifts her book out of the usual -- Fiona Sampson Independent Liz Berry is an extraordinary poet: passionate, precise, moving and deeply real. The voice and heat of the Black Country are here, the old tenderness and the complex strands of identity, the humour and the music. -- A.L. Kennedy These are poems of great vitality and charm. Seasoned with the dialect of Liz Berry's home territory, but with a linguistic and lyric freshness independent of that, they offer nourishment - right bostin fittle, in fact - to readers hungry for the real thing. -- Christopher Reid