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Learning to Make an Oud in Nazareth

Ruth Padel

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Paperback

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English
Chatto & Windus
15 July 2014
Ruth Padel's powerful new collection on the Middle East

'Making is our defence against the dark...'

Through images of conflict and craftsmanship, Ruth Padel's powerful new poems address the Middle East, tracing a quest for harmony in the midst of destruction. An oud, the central instrument of Middle Eastern music , is made and broken. An ancient synagogue survives attacks, a Palestinian boy in a West Bank refugee camp learns capoeira, and a guide shows us Bethlehem's Church of the Nativity during a siege. At the heart of the book are Christ's last words from the Cross.

Uniting this moving collection is the common ground shared by Judaism, Christianity and Islam- a vision of human life as pilgrimage and struggle but also as music and making. With care and empathy, Ruth Padel suggests how rifts in the Holy Land speak to conflict in our own hearts. 'We identify. Some chasm / through the centre must be in and of us all.'
By:  
Imprint:   Chatto & Windus
Country of Publication:   United Kingdom
Dimensions:   Height: 216mm,  Width: 135mm,  Spine: 6mm
Weight:   90g
ISBN:   9780701188160
ISBN 10:   0701188162
Pages:   80
Publication Date:  
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  ELT Advanced ,  Primary
Format:   Paperback
Publisher's Status:   Active

Ruth Padel is a prize-winning poet, Fellow of both the Royal Society of Literature and the Zoological Society of London, and first Resident Writer at Somerset House, London. Her collections include Rembrandt Would Have Loved You, Voodoo Shop and The Soho Leopard, all shortlisted for the T.S. Eliot Prize, and more recently Darwin- A Life in Poems, shortlisted for the Costa Poetry Award. Highly acclaimed for her nature writing in a book about conservation, Tigers in Red Weather, and her novel, Where the Serpent Lives, she has also published books on contemporary poetry, including 52 Ways of Looking at a Poem and The Poem and the Journey. In 2014, Ruth Padel is the first Writer in Residence at Royal Opera House, Covent Garden, and is recording her experiences in her blog at http-//www.ruthpadel.com/blog/.

Reviews for Learning to Make an Oud in Nazareth

There are points where one feels Padel is a poetic Daniel Barenboim. It is inlaid poetry... as if Padel were embroidering a tapestry. Each poem turns out to be an instrument and Padel knows how to play. Her command of register is masterly... There is no doubting Padel's accomplishment, her poems stand tall partly because she tends to rise about the personal. -- Kate Kellaway Observer Padel's great characteristic is her range. Making an Oud interweaves contemporary Middle Eastern politics, the history and culture of the Abrahamic religions, natural beauty and love poetry. Padel is not writing partisan polemic but attempting something much more difficult, a kind of cultural synthesis. Independent Lyrical and sensual, albeit with a keen awareness that in war zones, music, love and poetry are sidelined even as they become more vital. Padel skilfully juxtaposes the modern world with the ancient. -- Suzi Feay Independent on Sunday Superb collection... Sorrowful and elegiac...though it ends on a note not entirely without hope -- Lesley Mcdowell Glasgow Sunday Herald A poet of great eloquence and delicate skill, an exquisite image-maker who can work wonders with the great tradition of line and stanza. Her voice has an astonishing resonance. -- Colm Toibin


  • Short-listed for T S Eliot Prize 2015
  • Short-listed for T S Eliot Prize 2015 (UK)
  • Shortlisted for T S Eliot Prize 2014.
  • Shortlisted for T S Eliot Prize 2015.

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