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Beena Kamlani is a Pushcart Prize-winning fiction writer whose work has appeared in Virginia Quarterly Review; Ploughshares; Identity Lessons- Learning to Be American, eds. Gillan (1999); Growing Up Ethnic in America, eds. Gillan (2000); The Lifted Brow (2008); World Literature Today; and other publications. She has been awarded fellowships at Yaddo, MacDowell, Ledig House/Writers Omi, Hawthornden Castle, Jentel Arts, and Hedgebrook. A former senior editor for the Penguin Group, she taught book editing at New York University for nearly two decades and was presented an award for teaching excellence. The English Problem is her first novel.
“Kamlani’s story of one man’s odyssey of discovery contains extensive historical context. Replete with lyrical imagery of rivers, the saga confronts issues of racism, class disparities, parenthood, and sexual acceptance . . . Kamlani’s ambitious debut packs an important dose of relevant history into a very human story.”—Kirkus Reviews “A dynamic character portrait as well as a nuanced depiction of India’s struggles against British rule. It’s a triumph.”—Publishers Weekly “What a grand, sweeping, mesmerizing book this is: a richly detailed, politically profound story of love, of migration, of individuals caught up in the great convulsions of history. Wow.”—Joseph O’Neill, PEN/Faulkner award-winning author of Netherland “The English Problem is powerful and profound—a journey across the world, rich in geography, history, philosophy, psychology! Beena Kamlani’s voice is lyrical and poetic; her style embracing, haunting, inspiring. The novel is a beautifully realized story about colonialism and about love across racial, gender, and economic barriers in a toxic time. It is a glorious achievement.”—Blanche Wiesen Cook, author of Eleanor Roosevelt, Vols. 1–3 “In elegant, evocative prose, Beena Kamlani evokes both the British understanding of India and the Indian understanding of Britain—each culture admiring yet misapprehending the other—and the life of a man who was of both cultures and of neither. Her characters are beautifully evoked and profoundly true; her narrative of displacement and desire is persuasive and resonant; and her deep understanding of the broken politics between societies trying to make sense of each other feels particularly relevant in today’s world. Unpretentious, understated, fully authentic, this is a sweeping novel of dispossession, loss, dignity, and love. It contains darkness, loneliness, even tragedy; but also an almost Gandhian narrative of peaceable, unrelenting hope.”—Andrew Solomon, National Book Award winner and New York Times bestselling author of Far from the Tree and The Noonday Demon
