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A Walk Between Heaven and Earth

A Personal Journal on Writing and the Creative Process

Burghild Nina Holzer

$32.99

Paperback

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English
Random House USA Inc
26 August 1994
""Talking to paper is talking to the divine. Paper is infinitely patient. Each time you scratch on it, you trace part of yourself, and thus part of the world, and thus part of the grammar of the universe. It is a huge language, but each of us tracks his or her particular understanding of it."" -from A Walk Between Heaven and Earth

Unlike any other guide to journal writing, A Walk Between Heaven and Earth is itself written as a personal journal and as a meditation on the flow of creation. Burghild Nina Holzer demonstrates that the creative process is in fact a large, ongoing movement in our lives and that we may gradually discover the pattern and direction of it by trusting whatever it is we choose to confide to the page. She helps would-be writers recognize the power and importance of opening themselves to the present moment and recording whatever they find there. Holzer's book is both inspiration and model. It will appeal not only to those who wish to explore the creative process as a mystical path, but to all who desire to express themselves through writing.
By:  
Imprint:   Random House USA Inc
Country of Publication:   United States
Dimensions:   Height: 216mm,  Width: 140mm,  Spine: 13mm
Weight:   190g
ISBN:   9780517880968
ISBN 10:   0517880962
Pages:   140
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Reviews for A Walk Between Heaven and Earth: A Personal Journal on Writing and the Creative Process

Informational rather than inspirational, a journal about journal-writing as a spiritual search, by a teacher of creative writing at Foothill College in Los Altos, Calif. From fall 1987 to summer 1988, Holzer kept two journals: one a record of her writing progress, the other a personal chronicle she hoped to keep separate from the first. In the book, however, they overlap; the personal journal creeps into the creative one, which becomes, for her, a mystical journey. She records dreams, her sense of aloneness, winter sorrows; she stops torturing herself about what exactly she is doing by reminding herself a journal can be anything! Reviewing the vision quest of her journal, she notes patterns and turns of character. She finds herself preparing for the inevitable end result of her father's lingering mortal illness and grieving for a dead brother, a doctor who was killed by a snow-grooming machine during the Olympic games in Calgary, Canada - a death prefigured by a dream she recorded in her journal. She visualizes his hands being whole, his good hands that had held so many. Later she refers to another painful memory: Perhaps my uterus wants to cry the story of the child I lost, of what wanted to be formed, and what slipped out into darkness before it could be held securely by the arms near the heart....And maybe I need to discover that this big boulder sitting in my throat consists of a huge mass of words, compacted into stone. Sometimes she takes her students for a walk in the woods or fields and, to expose them to nature writing, reads them haiku by Basho. Although this is more a public record of private thoughts than a how-to book, the use of Latinate words and catch phrases like creative process and learning process at times gives it an academic tone somewhat at odds with the personal nature of the material. Creativity ought to be more interesting than this. (Kirkus Reviews)


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