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English
Signet Classics
28 July 2008
Before there was Game of Thrones, there was Beowulf...

Before there was Game of Thrones, there was Beowulf...

SONG OF BATTLE AND KINGS

Beowulf is one of the earliest extant poems in a modern European language, composed in England before the Norman Conquest. As a social document this great epic poem is invaluable-reflecting a feudal world of heroes and monsters, blood and victory, life and death. As a work of art, it is unique. Beowulf rings with beauty, power, and artistry that have kept it alive for a thousand years. The noble simplicity of Beowulf's anonymous Anglo-Saxon singer is recaptured in this vivid translation by Burton Raffel.

Translated and with an Introduction by Burton Raffel

and an Afterword by Roberta Frank
Introduction by:  
Translated by:  
Imprint:   Signet Classics
Country of Publication:   United States [Currently unable to ship to USA: see Shipping Info]
Dimensions:   Height: 172mm,  Width: 105mm,  Spine: 15mm
Weight:   89g
ISBN:   9780451530967
ISBN 10:   0451530969
Pages:   176
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Translator Burton Raffel has taught English, classics, and comparative literature at universities in the United States, Israel, and Canada. His books include translations of Beowulf, The Complete Poetry and Prose of Chairil Anwar, From the Vietnamese, Ten Centuries of Poetry, The Complete Poetry of Osip Emilevich Mandelstam (with Alla Burago), Poems from the Old English, and The Annotated Milton. Mr. Raffel practiced law on Wall Street and taught in the Ford Foundation's English Language Teacher Training Project in Indonesia. Roberta Frank, Marie Borroff Professor of English and Linguistics at Yale University, works in all aspects-literary, historical, and archaeological-of early England and Scandinavia. She has written widely on Beowulf, including ""A Scandal in Toronto- The Dating of Beowulf a Quarter-Century On"" (2007).

Reviews for Beowulf

Perhaps the ultimate refutation to anyone claiming there is a single, simple answer to the question of why France invented and continues to set the world standard for haute cuisine. While acknowledging that his native soil does constitute a veritable garden, Pitte (Geography/Sorbonne) asserts that this is neither unique in Europe nor primarily accountable for French gastronomic predominance. The cultural case he builds, going back to the Roman occupation, touches base with everything from a sensually indulgent brand of medieval Catholicism to a tableau of the definitive gourmand, Louis XIV, dining at Versailles quite alone (except for a daily gallery of gawking citizenry) and an astonishing variety of robust regional cuisines that coalesce over the ages under the cruelly Darwinian dynamics of the Parisian marketplace. While some offhand references to obscure personages or innate ethnic characteristics may be lost on American readers, Pitte easily succeeds in demonstrating that the universal subtleties of the debate, rather than any formal proof, are the point here. Entertaining examples come straight from the historic pulpit in the form of tongue-in-cheek sermons on gluttony, or from the literary mainstream, as when the writer Balzac insists to his guest (perhaps with a wink) that the great wine he has poured must be lovingly regarded, sniffed, and discussed at length before any drinking takes place. The author's geographical perspective enables him to be both seriously analytic and illuminating: one of several map plots, for example, shows how the taste, properties, and even the typical size of every major cheese variety in France were long ago determined by regional agronomics combined with distance (during original development) from the principal market. Finally, there's a sobering caution about how modern agribusiness practices could compromise quality standards, homogenizing regional input enough to threaten the essential roots of French gastronomy as public indifference within the country continues to deepen. Surprisingly thought-provoking and original table talk from the academy. (Kirkus Reviews)


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