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The Bullfighter Checks Her Make-Up

Susan Orlean

$32.99

Paperback

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English
William Heinemann Ltd
03 August 2001
A hilarious and sparkling collection of essays on people, famous, infamous and obscure, told with the gloriously eccentric wit that have made Susan Orlean one of America's best-known journalists and The Orchid Thief into a bestseller.

Susan Orlean's collection of profiles ranges from the well-known (Marky Mark) to the unknown (Colin Duffy, a typical American man, aged ten) to the formerly known (the cult sixties girl group the Shaggs). Orlean meets with Cristina Sanchez, Spain's first fully-qualified female matador, Silly Billy, New York's most successful children's clown, an African king who is a New York taxi-driver, and a champion show dog called Biff, who from a certain angle looks like President Clinton. As in her remarkable bestseller The Orchid Thief, soon to be the basis of Spike Being John Malkovich Jonze's new film, starring Meryl Streep and Nicholas Cage, Orlean's eye for the fascinatingly bizarre and her wonderfully witty way with language make her take on the world utterly original and unique.
By:  
Imprint:   William Heinemann Ltd
Country of Publication:   United Kingdom
Dimensions:   Height: 234mm,  Width: 155mm,  Spine: 23mm
Weight:   417g
ISBN:   9780434008773
ISBN 10:   043400877X
Pages:   320
Publication Date:  
Audience:   General/trade ,  Professional and scholarly ,  College/higher education ,  ELT Advanced ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active

Susan Orlean has been a staff writer for the New Yorker since 1992 and has also written for Esquire, Vogue and Rolling Stone. She is the author of five books including the international bestseller The Orchid Thief, the inspiration for the film Adaptation directed by Spike Jonze and starring Nicholas Cage and Meryl Streep. Susan Orlean lives in Boston.

Reviews for The Bullfighter Checks Her Make-Up

Orlean is compulsively curious... sinfully enjoyable[Orlean] is a kind of latter-day de Tocqueville... She makes her subjects and the places they inhabit seem utterly new as well as noble, sad and loopy... a powerful portrait of life on the edge of the mainstream * New York Times *


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