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What's Going On

Nathan McCall

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Paperback

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English
Vintage Books
15 January 1999
With the same personal authority and exhilarating directness he brought to his account of his passage from a prison cell to the newsroom of The Washington Post, Nathan McCall delivers a series of front-line reports on the state of the races in today's America. The resulting volume is guaranteed to shake the assumptions of readers of every pigmentation and political allegiance. In What's Going On, McCall adds up the hidden costs of the stereotype of black athletic prowess, which tells African American teenagers that they can only succeed on the white man's terms. He introduces a fresh perspective to the debates on gangsta rap and sexual violence. He indicts the bigotry of white churches and the complacency of the black suburban middle class, celebrates the heroism of Muhammad Ali, and defends the truth-telling of Alice Walker. Engaging, provocative, and utterly fearless, here is a commentator to reckon with, addressing our most persistent divisions in a voice of stinging immediacy.
By:  
Imprint:   Vintage Books
Country of Publication:   United States
Dimensions:   Height: 203mm,  Width: 133mm,  Spine: 11mm
Weight:   225g
ISBN:   9780375701504
ISBN 10:   0375701508
Pages:   174
Publication Date:  
Audience:   General/trade ,  ELT Advanced
Format:   Paperback
Publisher's Status:   Active

Nathan McCall's autobiography, Makes Me Wanna Holler, was a New York Times bestseller. The book also won the Blackboard Book of the Year Award for 1995. McCall has worked as a journalist for The Atlanta Journal-Constitution and the Virginian Pilot-Ledger Star. He is currently on leave from The Washington Post, McCall lives in Maryland, just outside of Washington, D.C.

Reviews for What's Going On

McCall follows up his critically acclaimed autobiography Makes Me Wanna Holler (1994) with this eye-opening collection of personal essays on race and racism in America. One of the principal themes that crops up here, in tones that range from levity to gravity, is that of childhood and parenthood. In the essay entitled The Problem with Babies, a white toddler who tries to engage McCall in play in a fast-food restaurant is depicted as a sort of adorable predator; the child's ignorance of racial tension between his mother and McCall leads to the conclusion that babies don't give a damn about the racial boundaries that grown-ups impose. In other pieces, McCall meditates on his son, as he condemns both whites and blacks for the intraracial violence that he states, in no uncertain terms, is destroying the African-American community; he writes of his daughter in an essay in which he confesses to having committed sexual assaults on several women as a young man, not realizing that he wasn't entitled to their favors by virtue of his being male. It is this surprisingly and often disarmingly confessional tone that brings cohesion to these essays. McCall knows his own faults and those of the very community that he defends and of which he is part; he can be slow to admit that those faults include poor family structure and upbringing. He is far quicker to finger white racism as a cause for black suffering, but his strong defense lies in his own experiences. While McCall is reluctant to divorce himself from acceptance of Louis Farrakhan, it is his essay on Muhammad Ali that better depicts a black dissenter as a model human being. Despite some flaws, this is a strong effort from the journalist turned essayist. (Kirkus Reviews)


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