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CHARLES YUis the author of four books, includingInterior Chinatown(the winner of the 2020 National Book Award for fiction), and the novelHow to Live Safely in a Science Fictional Universe(aNew York TimesNotable Book and aTimemagazinebest book of the year).He received the National Book Foundation's 5 Under 35 Award and was nominated for two Writers Guild of America Awards for his work on the HBO series,Westworld.He has also written for shows on FX, AMC, and HBO. His fiction and nonfiction have appeared inThe New Yorker,The New York Times,The Wall Street Journal, andWired,among other publications.Together with TaiwaneseAmerican.org, he established the Betty L. Yu and Jin C. Yu Writing Prizes, in honor of his parents.
There's some of the cerebral gamesmanship of Jonathan Lethem, the resigned sadness of Kurt Vonnegut, the Phil Dickian paranoiac distrust of consumer culture. But Yu's voice, sensibility and approach are unique, especially in the ways he wrings humor and pathos out of stripped-down syntax and seemingly passive protagonists . . . The stories deliver more than their fair share of bitter laughs, philosophical conundrums and existential gut punches. <br>-- San Francisco Chronicle <br> A mix of science fiction, absurdist humor and Beckettian monologue, with storytelling techniques that twist narrative into a computer-esque objectivism; think Donald Barthleme's strangest pyrotechnics in a Philip K. Dick or Haruki Murakami world . . . [Charles Yu is ] the computer century's heir to Philip K. Dick and Ray Bradbury. <br>-- Shelf Awareness <br> <br> Yu's workman-like sentences are unexpectedly emotive, while also being almost always very funny . . . As with his critically acclaimed, much-adored 2010 debut novel, How to Live Safely in a Science Fictional Universe, Yu's new baker's dozen of satiric stories tell of a future that's really just an exaggerated present . . . Like the best science fiction writers, Yu provides seemingly gratuitous logistical information to mitigate any hint of farce . . . Yu is a master of the slow reveal. It sometimes takes pages to understand where we are and why, but as the chatty protagonists joke and confess their deepest pains, details accrue and outlines fill in. And when we are finally oriented, the universe he has created feels eerily complete . . . Imaginary lands become possible worlds; cunning tricks grow into game theory; playing pretend morphs into explorations of false consciousness. Each story in Sorry Please Thank You is staggeringly smart, and none feel like anything but entertainment. Cultish fans of the NBC comedy Community, '' this book is for you. <br>-- The Boston Globe <br> I don't know that there's a better story-
